A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang (as himself) to direct an adaptation of “The Odyssey,” but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.
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Characters from different backgrounds are thrown together when the plane they’re travelling on crashes into the Pacific Ocean. A nightmare fight for survival ensues with the air supply running out and dangers creeping in from all sides.
A working-class family in London’s East End is struggling to stay afloat during the recession under Prime Minister Margaret Thatcher’s premiership. Only the mother Mavis is working; father Frank and the couple’s two sons Colin, a timid, chronically shy individual and Mark, an outspoken, headstrong young man, are on the dole. This situation is contrasted by the presence of Mavis’s sister Barbara, and her husband John, whose financial and social loftiness appears to be a comfortable facade over the unspoken soreness of a lackluster marriage.
Three teenage friends get in way over their head when they cross a down-home crime syndicate. They hope to make a break for it and escape their dead-end existence in a cotton-mill town but get sucked into the seedy underbelly of organized crime when one of them steals from the wrong man.
During preparation for Christmas baby Rose Wilder is kidnapped by the woman who recently lost her child. Looking for her Laura, Almanzo and Mr Edwards meet lonely orphan boy, who finally stays with that woman.
On the eve of Independence, the chairman of the Border Commission, Sir Cyril Radcliffe decides to divide India and Pakistan into equitable halves. What the administration doesn’t account for is the line running through the middle of Begum Jaan’s brothel situated plonk on the border; with one half falling in India and the other in Pakistan.
Jenny (Lynn Chen, Saving Face, Go Back To China), a Los Angeles mom, leaves her family for a blogger convention in Vegas, and accidentally chooses “pool” on her rideshare app, placing her in a car full of strangers including struggling activist Kara (Dreama Walker, Once Upon a Time in Hollywood, Gran Torino), heartbroken talent agent Sean (Jonathan Lipnicki, The Resident, Jerry Maguire) on a quest to find Dawn (Taryn Manning, Orange is the New Black, Hustle and Flow), and their hipster/anarchist/shaman driver, Marc (Jordan Carlos, First Wives Club, Broad City). Personalities clash, vulnerabilities unwind, and bonds form as they each find their own personal Paradise. Full of humor, heart, pathos and a psilocybin drug trip in Death Valley, Jentis’ script is a relatable millennial road trip rom-com perfect for summer.
As a young child our protagonist is left by his mother and has to live with his violent father. He fights his way through adolescence and falls in love with the woman of his dreams and just as everything seems to be finally working out for him, a sudden event changes the course of his life forever. A story about how everything we love, everything we learn, everything we build, everything we fear, will one day be gone.
Black Journal (originally titled Gran Bollito) is a 1977 Italian drama film directed by Mauro Bolognini. It is based on the real life events of Leonarda Cianciulli, the Italian serial killer best known as the “Soap-Maker of Correggio”.
Selling Isobel, a thriller based on true events, featuring the real victim in true life playing the main charter. It’s about a woman who got locked in, drugged, held against her will and sold to numerous men for 3 days in an apartment in central London. It’s a film about her fight for survival all the way to the gruesome end.
