Bright Sun Films’ Jake Williams makes his feature debut with this documentary about the infamous Six Flags New Orleans, which was devastated by Hurricane Katrina, and has become a holy grail of sorts for urban exploration.
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Aliens in our ancient past is practically common knowledge. They came millennia ago, fought a great war between themselves and left behind a history of their occupation, vestiges of a long lost culture from another planet and a sudden departure – but why? After eons these beings have now returned and are engaged in a battle with humanity itself and some researchers believe they have returned to manipulate and use mankind to a sinister end.
Journalism icon Gay Talese reports on Gerald Foos, the Colorado motel owner who allegedly secretly watched his guests with the aid of specially designed ceiling vents, peering down from an “observation platform” he built in the motel’s attic.
50 years after the legendary fest, Barak Goodman’s electric retelling of Woodstock, from the point of view of those who were on the ground, evokes the freedom, passion, community, and joy the three-day music festival created.
The documentary featured Guy take on the task of ensuring the iconic military aircraft was fit to fly on its 1000 mile fareware tour of Britain. Given exclusive access like no one else before him, Guy became one of the few civilians to ever take control of a military aircraft when he was handed the Vulcan as he tried to taxi the 70 tonne aircraft along a runway.
The story of London’s toughest and poorest part as told through the eyes of its most iconic band. From the bombs that flew in World War II and from the greatest industrial docks the world ever saw, to the formation of the original and best Terrace Band of them all, the battles, living outside the law, the wilderness years of both the band and the area that spawned them, and eventually to the rebirth and transformation of the band into a worldwide cult, this is the rockumentary to beat them all. Feel the mighty heart that beats to the rhythm of rivet hammers upon a background of claret and blue. This is East End Babylon! Written by Mick Geggus
Legendary documentary filmmaker Frederick Wiseman (At Berkeley, National Gallery) explores the culture, politics and daily life of the Queens, NYC district of Jackson Heights, which lays claim to being the most diverse neighbourhood in the world.
Comedian Bonnie McFarlane dons her investigative journalist’s hat to find out once and for all if women are funny and report her unbiased findings in what some are calling the most important documentary of our generation.
The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they’re one in the same, and the vast amount of territory he’s covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early ’90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don’t Blink is Israel’s like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.
Filmed Live at the Plaza de Toros, Madrid 1996, this editors cut includes Back in black/ shot down in flames/ thunderstruck/ girls got thythm/ hard as a rock/ shoot to thrill/ boogie man/ hail caesar/ hells bells/ dog eat dog/ the jack/ ballbreaker/ rock and roll ain’t noise pollution/ dirty deeds done dirt cheap/ you shook me all night long/ whole lotta roise/ tnt/ let there be rock/ highway to hell/ for those about to rock (we salute you)
10+10 is a project initiated by the Taipei Golden Horse Film Festival to demonstrate the solidarity between Taiwanese film-makers. 20 directors are invited to make a 5-minute short film each on the theme of the “Uniqueness of Taiwan,” but allowed total freedom in all other aspects.
Cameramen and women discuss the craft and art of cinematography and of the “DP” (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
