Two men meet and fall in love under the least joyous of circumstances in this low-key drama from writer and director Yen Tan.
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The beautiful Shizuko (Aya Sugimoto) and her husband Tooyama Takayoshi (Jo Shishido) have a loving relationship, But Takayoshi is getting older and isn’t always able to perform. His primary source of gratification involves observing his wife in sadomasochistic scenarios so he commissions a painter, skilled in the arts of bondage to bring these fantasies to life. Soon, Shiziko becomes a willing and submissive participant in fulfilling the S&M fantasies of not only her husband but a slew of rich lecherous men.
Adventurous flight attendant Sydney’s plans for a tropical Christmas get delayed when she helps an unaccompanied minor get home to Chicago to her dad Jonathan, a handsome widower and investigative reporter. Faced with a shortage of out-going flights, Sydney is marooned for several days in the Windy City – once her home as a small girl — and tags along with Jonathan, his daughter, and their exuberantly festive family until she can find a connecting flight. Jonathan makes her a deal: he helps her chase down the story of how her late parents met, and she helps him to write the perfect Christmas story and keep his job, and along the way, sparks form between them.
Mathieu Roy’s L’Autre maison is an intimate and powerful family drama featuring three generations of great Quebec Actors. Marcel Sabourin plays Henri Bernard, an 86 year-old man with a failing grip on reality. His sons, a jet setting middle aged photo-journalist (Roy Dupuis) and a younger pilot-in-training (Emile Proulx-Cloutier) disagree on a course of action, leaving the father and the younger son inhabiting a rustic cottage in the woods. As the older man’s health deteriorates, options become more limited; when an IED accident in Afghanistan kills the photo-journalist’s translator, the family must come together like never before. Shot in Quebec, Iceland, Africa and Asia, Another House blends elements of memory, perception and lyricism into a remarkable cinematic mix that moves the story well beyond direct domestic issues into a visual realm that balances nature and humanity.
“Doris Day continues her reign as America’s sweetheart” (Motion Picture Herald) in this “bright, colorful comedy of marital misunderstanding” (The Film Daily). Co-starring Rod Taylor (The Glass Bottom Boat) and featuring whip-smart dialogue, a hilarious plot, sumptuous locales and costumes and the song “Au Revoir Is Goodbye With a Smile,” Do Not Disturb is a delightful romp from start to finish! What’s a devoted wife to do when her husband spends more time “working” with his sexy secretary than helping her with their new home? For Janet Taylor (Day), an American who has relocated to England with her executive husband Mike (Taylor), there’s only one solution – make him jealous by inventing an admirer. But as soon as Janet creates her make-believe Romeo, a real suitor arrives, whisks Janet off to Paris, wines and dines her…and comes face-to-face with an insanely irate Mike!
When teen-socialite Kelly Van Ryan and troubled bad girl Suzie Toller accuse guidance counselor Sam Lombardo of rape, he’s suspended by the school, rejected by the town, and fighting to get his life back. One cop suspects conspiracy, but nothing is what it seems…
“ALONE” tells the story of Pim who moved from Thailand to Korea to escape the guilt of being the surviving half of a conjoined twin. Flashbacks to Pim’s childhood show how the bittersweet relationship with her sister, and their commitment to stay together forever, transforms into a repressive bond that ultimately leads to a separation. After she returns to visit her dying mother, the spirit of her dead sister angrily thrusts herself into Pim’s life.
When Barbara learns that nude photos of her daughter have been put up on a revenge porn site, she vows to get them taken down. But the site’s administrator and his followers refuse, threatening Barbara’s family in retaliation. Barbara doesn’t back down, but in doing so, her and her daughter’s lives are systematically destroyed both online and off.
For Miranda Wells, moving to New York to live in Dragonwyck Manor with her rich cousin, Nicholas, seems like a dream. However, the situation gradually becomes nightmarish. She observes Nicholas’ troubled relationship with his tenant farmers, as well as with his daughter, to whom Miranda serves as governess. Her relationship with Nicholas intensifies after his wife dies, but his mental imbalance threatens any hope of happiness.