Young pilot Branson (Louis Koo) recently takes over Skylette, his father’s aviation empire, only to realise his old flames Cassie (Charmaine Sheh) is a flight attendant there. Several years ago, he was forced to break up with her and move to New York to take care of his father’s business. To this day, the two continue to harbour feelings for each other but decide to keep them bottled up. In an effort to rebrand the airline, Branson invites rock idol TM to star in an upcoming commercial and appoints Sam (Fransic Ng) as her flying consultant. Incongruent in both tastes and experience, this odd couple gets off on the wrong foot. As the shoot progresses, however, they slowly discover each other’s merits, developing a strong mutual attraction. Jayden (Julien Cheung) has left Skylette Airline to become a pilot for private jets. He meets the young and vivacious Kika (Kuo Tsai Chieh) during a flight and assumes her to be wayward and shallow…
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Neïla Salah grew up in Créteil, a tower block suburb on the outskirts of Paris, and dreams of becoming a lawyer. She has been accepted into a major university in Paris and on her first day there she is confronted by Pierre Mazard, a professor known for his provocative behavior and blunders.
To make amends for an incident, he accepts to help Neïla prepare for a prestigious competition in courtroom eloquence. Both cynical and demanding, Pierre could become the mentor who she needs… But first both must overcome their prejudices.
When a hard-working single mother, Sara Diaz, has her children taken from her after she is suspected of injuring her son, Ally Fisher, a recent law school graduate, is assigned to represent her case before Judge Martha Schulman, a veteran of the Family Court System.
Two young hoodlums (including a young Martin Sheen) terrorize the passengers of a late night New York City subway train.
After multi-millionaire Ted Ammon is found bludgeoned to death at his East Hampton estate, the fingers point to his estranged wife, Generosa Rand, and her lover, an electrician named Danny Pelosi.
West Virginia mushroom expert, Dr. Michael Mercer, lives alone in the mountains. One afternoon he happens upon a boy who follows him home. The scientist takes the child in, learning that his name is Elvis and he has a complicated history.
A fantastical re-imagining of the events of 1979, when Monty Python made Life of Brian and the debate about what is an acceptable subject for comedy was blown wide open.
Inspired by the filmmaker’s own story, an aspiring screenwriter and musician’s life quickly unravels when he is diagnosed with a crippling form of OCD. While struggling through his darkest hour, he must help himself and those around him tackle a litany of universal issues: grief, coming-of-age, addiction, redemption and the power of social connection.
Song Yeon-Hwa, a reporter of a weekly entertainment magazine, is 27 years old. Though she is almost kissed by her boy friend several times, she has refused without particular reasons. Then she lost her boy friend. Now knowing her shilly-shally is the reason of her lost love, Song Yeon-Hwa loses daily rhythm all in a furry. One day Han Kyeong-Hyeon, who seems to be a playboy, came to work with her as a photographer. Seating next seat Kyeong-Hyeon nags her chattering all kinds of things and wedging in every occasion. Yeon-Hwa, who suffers from aftermath of lost love, submits resignation with a burst due to nagging and scolding of editor-in-chief.
Three childhood friends, Sarah, Riley and Cat, with fond memories of Christmas at Sarah’s house, come together as adults to save Sarah’s home in the hopes of having many more beautiful Christmases together.
The Sound of Music Live! is a television special that was originally broadcast by NBC on December 5, 2013. Produced by Craig Zadan and Neil Meron, the special was an adaptation of Rodgers and Hammerstein’s Broadway musical The Sound of Music, starring country singer Carrie Underwood as Maria von Trapp, performed and televised live from Grumman Studios in Bethpage, New York.
Meron felt that if the telecast were successful, the concept could become “another kind of entertainment that can exist on TV.” By her request, Underwood’s casting as Maria was personally endorsed by Julie Andrews, who starred in the 1965 film.
