A long-married wife desires a divorce for a birthday present.
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Disillusioned dentist Ali Nawaab hopes to become a stand-up comedian but his attempts to find a voice on stage are hampered by memories of his blonde American muse, Ellie Goldsmith. Driven mad to the point of distraction by love, Ali must confront and exorcise the ghosts of his past in order to make his mark.
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Two men, fortyish, worn out by their wives, abandon everything to go and live in the back of beyond. There they meet a truculent priest, a boozer, Émile who recalls them to life’s simple pleasures. Calm is what they want. But soon their example inspires thousands of disorientated males, fleeing the feminist 1970s. Soon, too, there arrives a squadron of nymphomaniac Amazons.
After narrowly surviving a massive heart attack, Randal enlists his old friend Dante to help him make a movie immortalizing their youthful days at the little convenience store that started it all.
Two 19th-century opportunists (Simon Pegg, Andy Serkis) become serial killers so that they can maintain their profitable business supplying cadavers to an anatomist (Tom Wilkinson).
‘We come in peace’ is not what those green men from Mars mean when they invade our planet, armed with irresistible weapons and a cruel sense of humor. This star studded cast must play victim to the alien’s fun and games in this comedy homage to science fiction films of the ’50s and ’60s.
Veteran of sketch, television, and film, comedian Michael Ian Black has mastered a delivery that’s equal parts dapper and deadpan, whether he’s discussing the pro-choice debate or the Tilt-A-Whirl. Taped at John Jay College in New York City, Black’s first comedy special for EPIX includes his wry take on the human experience, from parenting and gender roles, to guilty pleasures of all shapes and sizes.
Musical dancer on the way out (at 36) Paula McFadden had it swell with actor Tony DeSanti, but instead of taking her to Hollywood he gets a European movie part. He even sublets their (his) New York apartment to Elliot Garfield, who generously lets her stay, even keeping the master bedroom. Pragmatic pre-teen daughter Lucy soon takes to his charm, but Paula remains determined to hate all actors. Despite the stress of a Broadway Shakespeare lead he must play too queer for Frisco, he’s determined to snatch romance from ingratitude.
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