Years after his mysterious disappearance, Julio Arenas, a famous Spanish actor, is back in the news thanks to a television program.
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Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
The epic journey of two friends, ex-soldiers, who battle the moral injuries of war, and the temptation to escape through suicide, as they walk across America.
September 1941. In a turn of events young lovebirds Kostya and Nastya find themselves on board of a barge that will evacuate people from sieged Leningrad. At night the barge gets into the storm. When it starts sinking, enemy planes – but not rescuers – are the first to arrive at the scene.
On a Japanese-occupied island during World War II, only two soldiers remain alive after a mission attempt goes horribly wrong. Trapped on the island, they must escort a scientist and his daughter to the other side of the island where their ship awaits. They must battle nature, hard terrain, and advancing Japanese troops.
When a terminally-ill art historian meets an engineer, it is love and lust at first sight. But their love is threatened by her looming illness. With her remaining days on earth numbered, she chooses to fan the flames of her obsession by taking her lover on a trip to Venice, where the artist’s work becomes the background for their physical passion and emotional discovery.
It is the mid-1930s and the storm clouds of WWII were forming in Germany. This films charts the work of Robert Watson Watt – the pioneer of Radar – and his hand-picked team of eccentric yet brilliant meteorologists as they struggle to turn the concept of Radar into a workable reality. Hamstrung by a tiny budget, seemingly insurmountable technical problems and even a spy in the camp, Watson Watt also has to deal with marital problems as he chases his dream. By 1939, Watson Watt and his team have developed the world’s first Radar system along the south east coast of England. A system that, in 1940, proved pivotal in winning the Battle of Britain.
A male chauvinist guru guides his best prodigy through the art of controlling women, only for the student to find out he is not everything that he seems.
A fictional account of one year in the life of Empress Elisabeth of Austria. On Christmas Eve 1877, Elisabeth, once idolized for her beauty, turns 40 and is officially deemed an old woman; she starts trying to maintain her public image.
This French-German-Dutch biopic on the life of 17th century Dutch master Rembrandt van Rijn is told in flashbacks from the point-of-view of the aged artist. Soon after establishing his career as a painter in Amsterdam, he marries the radiant Saskia. As he makes a name for himself, he can soon afford to buy a large house by teaching wealthy aristocrats how to paint. However, the couple’s happiness is short-lived; Saskia dies soon after bearing their son, Titus. Crushed, van Rijn seeks comfort first in the arms of his maid Geertje and then with his second wife, Hendrickje, who gives birth to a daughter. In spite of his genius, van Rijn’s determinedly eccentric behavior alienates the very members of the elite who were paying his bills. At one point, the artist’s home and belongings, including many of his paintings, are seized and sold for humiliatingly low prices in a rigged auction.
Awkward, isolated and disapproving of most of the people around her, a precocious 19-year-old genius is challenged to put her convictions to the test by venturing out on to the NYC dating scene, in this adaptation of Caren Lissner’s best-selling 2003 novel.
Lucinda Price is sent to a reform academy under the assumption that she has killed a boy. There, she meets two mysterious boys, Cam and Daniel, to whom she feels drawn to both. But as the love triangle unfurls, it is Daniel that Luce cannot keep herself away from, and things begin to take a darker turn when she finds out his true identity.
