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Struggling with marital problems, a man begins a passionate affair with his wife’s long-lost, twin sister.
1920, rural Ireland. Anglo-Irish twins Rachel and Edward share a strange existence in their crumbling family estate. Each night, the property becomes the domain of a sinister presence (The Lodgers) which enforces three rules upon the twins: they must be in bed by midnight; they may not permit an outsider past the threshold; and if one attempts to escape, the life of the other is placed in jeopardy. When troubled war veteran Sean returns to the nearby village, he is immediately drawn to the mysterious Rachel, who in turn begins to break the rules set out by The Lodgers. The consequences pull Rachel into a deadly confrontation with her brother – and with the curse that haunts them.
Anna Sewell’s classic 1877 novel beautifully comes to life in this family drama set in England. Told from the point of view of Black Beauty himself, the story sheds light on the details surrounding the colt’s birth and his perception of humans (he has various owners throughout his life). While some owners are compassionate — none more than Joe Evans (Mark Lester), the boy who first owns the colt.
After being denied a promotion at the university where she teaches, Doctor Lily Penleric, a brilliant musicologist, impulsively visits her sister, who runs a struggling rural school in Appalachia. There she stumbles upon the discovery of her life – a treasure trove of ancient Scots-Irish ballads, songs that have been handed down from generation to generation, preserved intact by the seclusion of the mountains. With the goal of securing her promotion, Lily ventures into the most isolated areas of the mountains to collect the songs and finds herself increasingly enchanted.
The classic story of English POWs in Burma forced to build a bridge to aid the war effort of their Japanese captors. British and American intelligence officers conspire to blow up the structure, but Col. Nicholson , the commander who supervised the bridge’s construction, has acquired a sense of pride in his creation and tries to foil their plans.
There’s drama aplenty for the travelling theatre company Chekhov Cabaret. The actors share the good times and the bad as a nomadic tribe where work and private life always mingle. They don’t mince words, these obstreperous actors with a sardonic sense of humour. Theatre always comes first.
On the eve of her 16th birthday, Allison Riley (Sophie Bolen) disappears. When the police refuse their requests, her parents, Joanna (Kristy Swanson) and Case (Mark Boyd), reluctantly hire John Belton (Dean Cain), a private investigator with a reputation for questionable procedures and a dark past. Quickly, Belton realizes that Allison was coerced by a young handsome boy she met on social media and had been trafficked, and they are on a race against time to get her back.
A murder investigation is reignited in a house that is considered haunted by the Lawrenceton locals and where years ago Aurora and Sally, as teenagers, discovered a body.
Lara Jean’s love life goes from imaginary to out of control when her secret letters to every boy she’s ever fallen for are mysteriously mailed out.
A near-future thriller, set in its own distinctive crime universe, “Hotel Artemis” follows a nurse who runs an underground hospital for Los Angeles’ most sinister criminals, and finds that one of her patients is actually there to assassinate another.
