Cayman Went is the story of Josh Anders, a fading Hollywood underwater action star whose life takes on new meaning when he’s forced to spend time with the eccentric, endearing inhabitants of Cayman Brac and their local dive community.
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Romantic comedy about six of Seattle’s young people, most of whom live in the same apartment building and whose lives revolve around the city’s ever-expanding music scene. The interrelated stories about each character’s progress through the singles scene are intriguing and often very funny, and the soundtrack is a grunge fanatic’s dream, with the likes of Soundgarden, Pearl Jam and Mudhoney.
Lara Jean’s love life goes from imaginary to out of control when her secret letters to every boy she’s ever fallen for are mysteriously mailed out.
Fearing the apocalypse, an insurance salesman sets off into the woods on a solo hunting experiment.
Former champion boxer Orlando Leone (Carmen) is “The Preacher” at an inner-city youth center. Wanting to give something back to the community, he bought a large building for a church youth center. But the cash ran out before he could finish fixing it up and now, the mortgage company is about to foreclose. With his bills mounting he agrees to one last fight.
Apart from a few simple houses, a bar, a gas station with a mini supermarket and a garbage dump, there really is nothing in rural Fulton County, Georgia. Introverted Joel works at the garbage dump where he sometimes finds a useful glass bottle or two, which he cleans up and takes home. Then, one day, he receives an unexpected phone call: his ex-wife has disappeared and it is now his responsibility to look after their son. Joel, about to meet his son for the very first time, has no idea how he is going to build a relationship with 10-year-old Will who also seems to live in a world of his own. Luckily for them, Clara, a bright girl from the neighbourhood, is on hand to help, and Will begins to open up to his father. But the youth welfare officer is already banging on the door. Director Jaron Albertin’s directorial debut is a sensitive, slightly melancholic drama about two outsiders who discover a deep understanding of each other.
When immense pressure threatens a ballerina in a new lead role, she and another dancer escape into a friendship that isolates them from the real world.
A young woman searches for her missing sister who, unknown to her, has become involved with a group of Satan worshippers in Greenwich Village.
This fourth sequel in the series finds “leaf gobblers” eating all the vegetation in Great Valley, driving Littlefoot, the young brontosaurus, and the other dinosaur inhabitants out. Arguments break out among the adults during migration, and Littlefoot and his friends decide to take matters in their own hands by crossing the “big water” to an unknown island. There they meet an old friend from The Land Before Time II–Chomper, the T-rex, who has to protect the gang from his own, carnivorous parents. Plenty of drama in this one, and as the series has been wont to do from the beginning, it shows adults as sometimes being less than perfect.
On a Tuesday night, five couples have separate sexual adventures. Matt and Kris, friends for years, want to have an only-once, no-strings good time. Abby and Andrew, married, celebrate his birthday, but it’s marred by angst and miscommunication. Mia and Eric are exes, making sure they are over each other. Jaime and Ken work together and this is a first date. Inez and Gord invite his roommate, Dave, to join them. By the time each couple has gone through a prelude, foreplay, sex, an interlude, orgasm, and afterglow, they’ve answered basic questions: can sex be anonymous, are we bored, is our marriage really finished, does anyone tell the truth, and how do we make someone happy?
The estranged daughter (Lauren Lee Smith) of a recently deceased filmmaker gains a new understanding of her father when she offers to create a retrospective of his work.
