Hannah is thrilled with how her senior year in high school is going. Her best friends always by her side, her mom is so very supportive, and she just got a coveted scholarship to Stanford University. However, Hannah joins an online chatroom where she meets a guy she falls for quickly, and things quickly go from very good to awful.
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Movie star Shelah Fane is seeing wealthy Alan Jaynes while filming in Honolulu, Hawaii, but won’t marry him without consulting famed psychic Tanaverro first. Tanaverro confronts her about the unsolved murder of fellow film star Denny Mayo three years earlier, and she decides to reject Jaynes’ proposal. When Shelah is found shot to death in her beach-front pavilion, Charlie Chan of the Honolulu Police investigates.
Early one summer morning a young man, with a secret stashed away in a duffel bag, emerges from the forest. In a nearby village he asks around for work, but the farmers, suspicious to the point of hostility, are not very forthcoming. Only when Lucy, the mayor’s unruly daughter, takes a liking to him, does the village change its attitude: he is promptly offered a job as a farmhand and a caravan to live in. As time passes and he is gradually integrated into the community, it emerges that he’s not the only one with a past to hide. Something sinister is lurking under the immaculate surface of this picturesque little world – and it is slowly drawing him in.
John Constantine has literally been to Hell and back. When he teams up with a policewoman to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists beneath the landscape of contemporary Los Angeles.
An ex-narc finds a journal written in code, leading to the whereabouts of a stash of stolen drugs.
“Tormenting the Hen” a caustic satire of city mice in the world of country mice, where well-meaning cosmopolites clash with strange townsfolk in country homes, black-box theaters, backyards, and local pubs. Invited by a dippy, curator (Josephine Decker), playwright Claire (Dameka Hayes) is spirited away to an artists’ retreat to present a political one-act about race, resentment, and masculinity. Accompanied by her fiancé, Monica (Carolina Monnerat), begins as a welcome getaway for the harried pair, until an unexpected visit from town enigma Mutty (Matt Shaw) casts a threatening shadow. While Claire plays babysitter to a duo of difficult performers Joel (Brian H. Brooks) and Adam (David Malinsky) Monica attempts to maintain her sanity despite her lover’s decreasing attentions and her neighbor’s proximity. Each woman struggles to preserve her autonomy in an increasingly hostile milieu, building to a soul-shaking climax that offers no easy answers for character and viewer alike.
A briefcase with undisclosed contents – sought by Irish terrorists and the Russian mob – makes its way into criminals’ hands. An Irish liaison assembles a squad of mercenaries, or ‘ronin’, and gives them the thorny task of recovering the case.
In the dark silence of the sea during World War II, the submarine U.S.S. Tiger Shark prowls on what should be a routine rescue mission. But for the shell-shocked crew, trapped together in the sub’s narrow corridors and constricted spaces, this is about to become a journey into the sensory delusions, mental deceptions and runaway fear that lurk just below the surface of the ocean.