This lively and intimately-crafted documentary immerses the audience in rock icon Carlos Santana’s life and musical trajectory. Filmmaker Rudy Valdez bolsters this personal narrative with pulsating, never-before-seen footage — guided by Santana himself, in his own words.
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Is it possible that Ice Age people succeeded in crossing the frozen Atlantic Ocean to North America, thousands of years before the Vikings and Columbus? Two archaeologists believe so after discovering artifacts in Chesapeake Bay that bear an inexplicable resemblance to those from prehistoric Europe. Follow them as they combine old-fashioned excavations with exciting new DNA testing to prove their theory, answer their critics, and rewrite the history books.
Exploring provocative viewpoints from engineers, factory workers, journalists, philosophers and Asimov himself, The Truth About Killer Robots is a cautionary tale about a world automating beyond control.
A documentary about the expanding powers of the European Union.
A look at the Black revolution in 1970s cinema, from genre films to social realism, from the making of new superstars to the craft of rising auteurs.
The story of Pentecostal minister Glenn Summerford — a man accused of attempting to murder his wife with a rattlesnake in the sleepy town of Scottsboro, Alabama — and the investigation and trial that haunted Southern Appalachia for decades.
A brand new three-hour video essay by Arrow Films that incorporates a new 2K restoration of all two hours of Bruce Lee’s original dailies for Game of Death from a recently-discovered interpositive.
Don McGlynn’s uncompromising and soulful documentary look at the tumultuous life of musician and rebel Charles Mingus is fascinating stuff. Mingus said of himself “I am half black man, half yellow man, but I claim to be a Negro. I am Charles Mingus, the famed jazz musician–but not famed enough to make a living in America.” His statement summed up the conflict that plagued this musical genius his entire life: volatility, pain, prescience, and raw rage roiled inside a complex man, composer, bass player, and trombonist who transcended labels and refused to be pigeonholed into a single musical style–and who did not achieve real fame until late in his career.
Indianapolis has one of the lowest high school graduation rates in the country. Night School follows three adult students living in the city’s more impoverished neighborhoods as they attempt to earn their diplomas while juggling other difficult responsibilities and realities. Through their stories, the filmmakers explore many issues that low-income Americans deal with, including unjust minimum wage and working conditions, arbitrary legal hindrances, and race and gender inequality.
Exploring the labyrinth of the contemporary art world, The Price of Everything examines the role of art and artistic passion in today’s consumer-based society. Featuring collectors, dealers, auctioneers and a rich range of artists, from current market darlings Jeff Koons, Gerhard Richter and Njideka Akunyili Crosby, to one-time art star Larry Poons, the film exposes deep contradictions as it holds a mirror up to contemporary values and times, coaxing out the dynamics at play in pricing the priceless.
Ginger Baker is known for playing in Cream and Blind Faith, but the world’s greatest drummer didn’t hit his stride until 1972, when he arrived in Nigeria and discovered Fela Kuti’s Afrobeat. After leaving Nigeria, Ginger returned to his pattern of drug-induced self-destruction, and countless groundbreaking musical works, eventually settling in South Africa, where the 73-year-old lives with his young bride and 39 polo ponies. This documentary includes interviews with Eric Clapton, Steve Winwood, Carlos Santana and more. Beware of Mr. Baker! With every smash of the drum is a man smashing his way through life.
A popular sensation in medieval Europe, bestiaries were catalogs of beasts featuring exotic animal illustrations, zoological wisdom, and ancient legends. The documentary unfolds like a filmic picture book where both humans and animals are on display. As we observe them, they also observe us and one another, invoking the Hindu idea of “darshan”: a mutual beholding that initiates a shift in consciousness.
Talal Derki returns to his homeland where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses on Osama and his younger brother Ayman, providing an extremely rare insight into what it means to grow up in an Islamic Caliphate.
