Set in post-war (1949) rural New Zealand, this film traces the efforts of two con men to run a betting scam in a small town (Tainuea) already rife with illegal gambling corruption, and eccentricity.
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Molly Gunn, the freewheeling daughter of a deceased rock legend, is forced to get a job when her manager steals her money. As nanny for precocious Ray, the oft ignored daughter of a music executive she learns what it means to be an adult while teaching Ray how to be a child.
Holy Hell is the over-the-top, outrageous, sexually-deviant, blood-drenched story of Father Augustus Bane: a priest pushed too far who begins praying to a revolver and hunting down the gangsters who killed his parishioners. In the vein of recent alternative horror/comedies like “Machete” and “Hobo with a Shotgun”, HOLY HELL is a modern take on 60’s and 70’s B-Movie and Exploitation film tropes. The goal of this feature length movie is to break through every limit set by film, taste and reasonable societal behavior: all with anarchic glee.
Is it possible to live aside of the system, thinking only about the present and oneself? A feature film about Manuel Vázquez, the best comic book author in Barcelona during the sixties, but, mainly, a man with a very particular way of living his life.
Perry is a happily married father of two living a comfortable but sedate life in the suburbs. On the occasion of his 40th birthday, he seeks to revisit his former life as the lead singer in a popular punk band though his middle-aged reality quickly (and hilariously) clashes with the indulgences of his youth.
Three movie genres of the 1930s, boxing films, WWI aviation dramas, and backstage Broadway musicals, are satirized using the same cast.
Three young guys like wine and women. They tested wine with pleasure, but the second they have never been able to taste. Under the guise of a wine tour, the three plans a trip to Spain to finally have sex. Nothing will stop them. Certainly not the fact that the first guy is blind, the second is in a wheelchair and the third is completely paralyzed.
A withdrawn young man, Leland Fitzgerald is imprisoned for the murder of a mentally disabled boy, who also happened to be the brother of his girlfriend, Becky. As the community struggles to deal with the killing, Pearl Madison, a teacher at the prison, decides to write about Leland’s case. Meanwhile, others affected by the murder, including Becky and her sister, Julie, must contend with their own problems.
Three aspiring ufologists set up a zany UFO shop (Global Unidentified Flying Object Research and Services) and unwittingly ignite the biggest UFO encounter since Roswell.
Pete and Ellen have reared Meg as their own, ever since she was a baby and her parents took off. Now a teen, Meg convinces her friend Nath to come help with chores on the farm: Pete isn’t getting around on his wooden leg like he used to. When Nath insists on using a short cut home through the woods, Pete gets quite agitated and warns him of screams in the night, of terrors associated with the red house. Curious, Meg and Nath ignore his warnings and begin exploring. Meg begins falling in love with Nath, but his girlfriend Tibby has other plans for him. Meanwhile they all get closer to real danger and the dark secret of the red house.
Trying to recover from the nearly marriage-breaking stress following the death of their child, Jack (Reynaldo Rosales) and Stephanie (Heidi Dippold) spontaneously take off on a road trip. But when their car breaks down in a remote area, they find themselves in a horrific nightmare. Seeking shelter in a house, they soon realize that more danger lurks inside than outside in this spine-chiller based on Ted Dekker and Frank Peretti’s best-seller.
