Based on “Sister of the Road,” the fictionalized autobiography of radical and transient Bertha Thompson as written by physician Dr. Ben L. Reitman, ‘Boxcar’ Bertha Thompson, a woman labor organizer in Arkansas during the violence-filled Depression of the early ’30’s meets up with rabble-rousing union man ‘Big’ Bill Shelly and they team up to fight the corrupt railroad establishment.
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When two brothers organize the robbery of their parents’ jewelry store, the job goes horribly wrong, triggering a series of events that send them and their family hurtling towards a shattering climax.
At the turn of the century in a Welsh mining village, the Morgans (he stern, she gentle) raise coal-mining sons and hope their youngest will find a better life. Lots of atmosphere, very sentimental view of pre-union miners’ lives. The film is based on the 1939 Richard Llewellyn novel of the same name.
Samao Daikoku’s (Shota Sometani) family register was taken which keeps him from escaping the underground life that he has led. To get away once and for all, Samao Daikoku breaks into Daikichi Ebisu’s (Kiyohiko Shibukawa) coin locker to steal gold. Daikichi Ebisu is involved in a criminal organization. In the locker, Samao Daikoku finds a hard disk containing personal information on runaways, homeless people, bankrupt people and prostitutes. He hides the hard disk, but is locked up by Daikichi Ebisu. There, he sees a prostitute, Ami Nanmu (Erina Mizuno) and he also faces an evil gang boss, Kan Senju (Gou Ayano). Samao Daikoku is tortured by the gang boss. The mystery behind Samao Daikoku’s past is revealed.
On a romantic getaway to Iceland, a young American couple wake up one morning to discover every person on Earth has disappeared. Their struggle to survive and to reconcile the mysterious event lead them to reconsider everything they know about themselves and the world.
The employees of a big-box discount retail store band together when contract workers are summarily laid off.
After a near fatal car accident, a popular high school student loses her memory and gets a second chance at a more meaningful life.
Aryan meets a perfect girl, Sifra, during an official assignment in the US and falls in love with her only to discover later that it’s an impossible love story.
Nick Naylor is a charismatic spin-doctor for Big Tobacco who’ll fight to protect America’s right to smoke — even if it kills him — while still remaining a role model for his 12-year old son. When he incurs the wrath of a senator bent on snuffing out cigarettes, Nick’s powers of “filtering the truth” will be put to the test.
Cynical British journalist Fowler (Michael Redgrave) falls in love with a young Vietnamese woman, but is dismayed when a naïve U.S. official (Audie Murphy) also begins vying for the girl’s attention. In retaliation, Fowler informs the communists that the American is selling arms to their enemy. Director Joseph L. Mankiewicz’s drama paints a rosier picture of U.S. involvement in French Indochina than Graham Greene’s provocative 1955 novel.
Jesús, a young hairdresser, works at a Havana nightclub for drag performers, and dreams of being a performer himself. Encouraged by his mentor, Mama, Jesús finally gets his chance to take the stage. But when Angel, his estranged father, abruptly reenters his life, his world is quickly turned upside down. The macho Angel, recently released from a 15-year stint in prison, tries to squelch his son’s ambition to perform in drag. Father and son clash over their opposing expectations of each other, struggling to understand one another and reconcile as a family. Shot in a gritty neighbourhood far from the Havana most tourists know, Viva is a heartrending story of music, performance and survival.
