A DEA agent provides former Marine Tim Kearney with a way out of his prison sentence: impersonate Bobby Z, a recently deceased drug dealer, in a hostage switch with a crime lord. When the negotiations go awry, Kearney flees, with Z’s son in tow.
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After a whirlwind courtship and marriage, a young woman, Audrey, relocates with her husband, Xander, to his hometown after the death of Xander’s father. Immediately, Audrey begins to suspect that there may be more to her father-in-law’s death than a simple accident, and Xander’s sexy, seductress of a stepmother, Marlena, may hold the key.
The five days when Copenhagen was held in a panic grip by an intelligent activist and former elite shooter, who takes to arms when a woman journalist writes about the government’s broken promises in an environmental question.
Frank Johnson, sole witness to a gangland murder, goes into hiding and is trailed by Police Inspector Ferris, on the theory that Frank is trying to escape from possible retaliation. Frank’s wife, Eleanor, suspects he is actually running away from their unsuccessful marriage. Aided by a newspaperman, Danny Leggett, Eleanor sets out to locate her husband. The killer is also looking for him, and keeps close tabs on Eleanor.
Chief Inspector Jacques Clouseau is dead. At least that is what the world (and Charles Dreyfus) believe when a dead body is discovered in Clouseau’s car after being shot off the road. Naturally, Clouseau knows differently, and taking advantage of not being alive, sets out to discover why an attempt was made on his life.
Arthur Bishop is a veteran hit man who, owing to his penchant for making his targets’ deaths seem like accidents, thinks himself an artist. It’s made him very rich, but as he hits middle age, he’s so depressed and lonely that he takes on one of his victim’s sons, Steve McKenna, as his apprentice. Arthur puts him through a rigorous training period and brings him on several hits. As Steven improves, Arthur worries that he’ll discover who killed his father.
Private eye Jake Gittes lives off of the murky moral climate of sunbaked, pre-World War II Southern California. Hired by a beautiful socialite to investigate her husband’s extra-marital affair, Gittes is swept into a maelstrom of double dealings and deadly deceits, uncovering a web of personal and political scandals that come crashing together.
In Distance Between Dreams, the most historic year in big wave surfing comes to life through the eyes of iconic surfer Ian Walsh, as he sets mind and body in motion to redefine the upper limits of what’s considered ‘rideable.’ With massive El Niño powered swells building across the Pacific, Ian, Shaun, D.K. and Luke Walsh band together in the way only brothers can on a quest to progress surfing to unimaginable heights. Big wave surfing’s transition from jet ski assists to paddling in raises the stakes, putting Walsh’s intense physical and mental training, the latest technology, swell modeling, and safety team, his brothers, to the ultimate test. Surfers John John Florence, Greg Long, Shane Dorian and more link up with Walsh as he rides an emotional rollercoaster through this momentous winter.
Burdened by old demons, a troubled but brilliant detective sets out to solve two confounding abduction cases — one involving his own girlfriend.
Taking his inspiration from the biggest scandal in Japan’s police history, Kazuya Shiraishi has created a massive and sinister crime epic about the grand forces of corruption that brings to mind the best of Kinji Fukasaku’s yakuza movies (Cops vs. Thugs among others). Starting in 1970s Hokkaido like a nervous Japanese Starsky & Hutch–chan, the film charts the moral descent of Detective Moroboshi (Go Ayano) over three decades. Green in years but already hard‐grained and ready to play rough, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai (Pierre Taki) teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza. Burning with the same blaze as the hard‐boiled classics of yore, Twisted Justice scorches away the sleekness and macho self‐congratulation of the genre.
Harry Caine, a blind writer, reaches this moment in time when he has to heal his wounds from 14 years back. He was then still known by his real name, Mateo Blanco, and directing his last movie.
