A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he accidentally captures on film the commission of a murder. The fact that he has photographed a murder does not occur to him until he studies and then blows up his negatives, uncovering details, blowing up smaller and smaller elements, and finally putting the puzzle together.
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2199 AD. Yamato tried to leave behind the Large Magellanic Cloud galaxy, after receiving a “Cosmo Reverse System” at its destination, Iscandar. However, suddenly, it encounters a mysterious group at the edge of the Large Magellanic Cloud. The crew finds out that the group is called the “Gatlantis,” and that its leader is the Gutaba expeditionary force commander who calls himself “Goran Dagaamu of Thunder.” The commander demands that Yamato be handed over to him. Yamato, wanting to hurry to Earth, escapes the fray. However, Yamato is attacked by a devastating beam weapon called the “Flame Direct Attack Cannon” that can transcend space.
After a confusing interaction in downtown Tehran, a married couple seems to have found their doppelgängers.
Eric movies in with his father, a man he barely knows, and they have trouble bonding until Maria takes Eric under her wing.
A lonesome stranger, secure, nerves of steel, must track down and kill a rogue Hitman to satisfy an outstanding debt. But the only information he’s been given is a time and location where to find his quarry – 5pm at a rustic diner in the dying town. No name, no description, nothing. When the assassin arrives there are several possible targets, including the county sheriff. Endangering his life, the assassin embarks on a manhunt to find the Hitman and accomplish his mission. But the danger escalates when the erotic encounters with a local woman threaten to derail his task.
A ruthless corporate raider is forced to return to his small town roots where he suddenly inherits his father’s nearly bankrupt pencil factory, which is the heart and soul of the depressed community. With the foreclosure deadline looming, he must decide to either let it close, or join the community’s fight to save it.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
A cop clashes with his priest brother while investigating the brutal murder of a young prostitute
Two students become engrossed with their handsome research subject until his true nature puts them in harm’s way.
Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally Bowles and an impish emcee sound the clarion call to decadent fun, while outside a certain political party grows into a brutal force.
During a winter storm, Ursus offers shelter to two orphans, Gwynplaine and Déa; some years later, they are still living together. Gwynplaine has become a famous star, but his success threatens his relationships with Déa and Ursus.
