A teenage girl gets a keyhole look into a dangerous and mysterious world when a tattooed stranger checks into her roadside motel.
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Lush scenery and gorgeous photography highlight this bio of Princess Ka’iulani (Q’Orianka Kilcher), a 19th-century Hawaiian princess raised in England but determined to maintain her people’s independence from aggressive American businessmen. After being sent to England as a child by her Scottish father, Ka’iulani returns to Hawaii and becomes a political activist who fights to retain her throne, even though she must leave her English paramour.
One night on a lonely highway, a speeding car tosses a satchel of money, meant for somebody else, into Jane and Alan Palmer’s back seat. Alan wants to turn it over to the police, but Jane, with luxury within her reach, persuades him to hang onto it “for a while.” Soon, the Palmers are traced by one Danny Fuller, a sleazy character who claims the money is his. To hang onto it, Jane will need all the qualities of an ultimate femme fatale…and does she ever have them!
In the opulent St. Petersburg of the Empire period, Eugene Onegin is a jaded but dashing aristocrat – a man often lacking in empathy, who suffers from restlessness, melancholy and, finally, regret. Through his best friend Lensky, Onegin is introduced to the young Tatiana. A passionate and virtuous girl, she soon falls hopelessly under the spell of the aloof newcomer and professes her love for him
Grace, a young heroin addict and Jamie, her alcoholic doctor, imprisoned by the horror of addiction and sexual co-dependency take a powerful natural hallucinogenic in order to travel the spiritual road to recovery. Whilst seeking the truth to their present and past behaviour but driven by self-obsession and malevolent denial, far from leading to salvation, the road they actually travel leads them to a place from which they may never return. A place where the truth is more horrific than the lies they tell themselves. One person from a past that connects them both holds the key to their new place of captivity and that person is in no hurry to leave.
Adapted from his autobiography, the film recounts the story of Hiroito, The King of Boca do Lixo (a region in downtown São Paulo of the fifties where various nightclubs, strip joints, prostitution, bars, and drugs can be found). Hiroito was a well born bohemian and at the age of 21 was accused for the murder of his father, who was violently stabbed over 40 times with a razor. Hiroito was not charged, however two months after the death of his father, Hiroito bought two guns and moved to Boca do Lixo and became one of the most dangerous criminals of the region.