Joseph and Maria are married for six months and Maria still has never had an orgasm with her husband. They begin to visit mysterious doctor Baltazar who teaches them how to reach ecstasy in sex.
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In a Japan of the near future, the government program Plan 75 encourages senior citizens to be voluntarily euthanized to remedy a super-aged society. An elderly woman whose means of survival are vanishing, a pragmatic Plan 75 salesman, and a young Filipino laborer face choices of life and death.
When stricken with a terminal disease, Young-su leaves his careless high life in the city, live-in girlfriend and dwindling business. He retreats to a sanatorium in the countryside in order to treat his illness, where he meets a young woman who is a resident patient there. Soon they develop feelings for each other and leave the sanatorium together to live in a small but cozy farm house. Their health improves dramatically but when Young-su’s friends from the city come for a visit, he starts to wonder if he should abandon mundane rural village and return to his former lifestyle.
In 1973, 15-year-old William Miller’s unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band Stillwater – fronted by lead guitar Russell Hammond and lead singer Jeff Bebe William.
A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy
A giant asteroid is heading toward Earth so some astronauts disembark from a nearby space station to blow it up. The mission is successful, and they return to the station unknowingly bringing back a gooey green substance that mutates into one-eyed tentacled monsters that feed off electricity. Soon the station is crawling with them, and people are being zapped left and right!
It’s graduation day at Huntington Hills High, and you know what that means – time to party. And not just any party, either. This one will be a night to remember, as the nerds become studs, the jocks are humiliated, and freshman crushes blossom into grown-up romance.
A weary gunfighter attempts to settle down with a homestead family, but a smouldering settler and rancher conflict forces him to act.
A man that runs a gas station in the deserts of Arizona finds an opportunity to win over the love of his most loyal customer. His opportunity is murder.
Peter Greenaway’s first fiction feature (after the mock-documentary The Falls) made him immediately famous and was named one of the most original films of the 1980s by British critics. The action is set in the director’s beloved 17th century. Ambitious young artist Mr. Neville (Anthony Higgins) is invited by Mrs. Herbert (Janet Suzman) to make 12 elaborate sketches of her estate. Besides money, the contract includes sexual favors that Mrs. Herbert will offer to the draughtsman in the absence of Mr. Herbert. Entirely confident in his ability to weave a web of intrigues, Mr. Neville eventually becomes a victim of someone else’s elaborate scheme. The film is structured as a sophisticated intellectual puzzle like the ones popular in the 17th century.
A troubled young girl gets a job at a modeling school where she is tortured by the voices in her head and the sounds in the walls. Roman Polanski meets Roger Corman in this micro-budget masterpiece made by a group of students under the leadership of veteran actor John Walcutt.
