Discover the untold story of the first Black Barbie and the pivotal role three trailblazing women at Mattel had in creating a doll who looked like them.
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Documentary in which painter and critic Matthew Collings charts the rise of abstract art over the last 100 years, whilst trying to answer a set of basic questions that many people have about this often-baffling art form. How do we respond to abstract art when we see it? Is it supposed to be hard or easy? When abstract artists chuck paint about with abandon, what does it mean? Does abstract art stand for something or is it supposed to be understood as just itself?
How do you put a life into 500 words? Ask the staff obituary writers at the New York Times. OBIT is a first-ever glimpse into the daily rituals, joys and existential angst of the Times obit writers, as they chronicle life after death on the front lines of history.
In 2010 David Crowley, an Iraq veteran, aspiring filmmaker and charismatic up-and-coming voice in fringe politics, began production on his film Gray State. Set in a dystopian near-future where civil liberties are trampled by an unrestrained federal government, the film’s crowd funded trailer was enthusiastically received by the burgeoning online community of libertarians, Tea Party activists and members of the nascent alt-right. In January of 2015, Crowley was found dead with his family in their suburban Minnesota home. Their shocking deaths quickly become a cause célèbre for conspiracy theorists who speculate that Crowley was assassinated by a shadowy government concerned about a film and filmmaker that was getting too close to the truth about their aims.
Forty years after the disappearance and murder of a 10-year-old German girl, her family continues to pursue the truth as police grapple with new scientific evidence and investigate a case they thought was solved.
A fever dream vision into the dark history behind the US housing economy. Tracking its overtly racist beginnings to its unbridled commoditization, the doc exposes a foundational story few Americans understand as their own.
For centuries the telling of ghost stories has been a much-loved English tradition, and it’s not only phantom specters that delight a susceptible audience. Witches, both good and evil have also been included in such terrifying tales for as long as anyone can remember. “Ghosts and Witches of Olde England” is a remarkable journey, touring around the country to explore some of the best examples of fright inducing folklore ever related.
Bob Ross brought joy to millions as the world’s most famous art instructor. But a battle for his business empire cast a shadow over his happy trees.
Honing his craft as an indie filmmaker in Germany in the early 90s, Uwe Boll never could have imagined the life that lay before him. From working with Oscar-winning actors and making films with US$60million budgets to having actors publicly disparage him and online petitions demanding he stop making films, Boll continued to work; he has a filmography of 32 features, a career that has led to his new life as a successful high-end restauranteur. Already a cult legend, he will be remembered forever in the film world; for some, as a modern-day Ed Wood, who made films so bad, they’re good, while for others, a prolific filmmaker who came from a small town in Germany and never compromised his integrity while forging his own unique Hollywood trajectory.
A standup show by Johanna Nordström
Wicked one-liners and soul-baring confessions converge in this uniquely intimate stand-up special from “Chappelle’s Show” co-creator Neal Brennan.
In the Mexican state of Michoacán, Dr. Jose Mireles, a small-town physician known as “El Doctor,” shepherds a citizen uprising against the Knights Templar, the violent drug cartel that has wreaked havoc on the region for years. Meanwhile, in Arizona’s Altar Valley—a narrow, 52-mile-long desert corridor known as Cocaine Alley—Tim “Nailer” Foley, an American veteran, heads a small paramilitary group called Arizona Border Recon, whose goal is to halt Mexico’s drug wars from seeping across our border.
