A troubled woman living in an isolated community finds herself pulled between the control of her oppressive family and the allure of a secretive outsider suspected of a series of brutal murders.
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Celeste is a renowned opera diva who retired early for the man she loved to live on a crumbling and beautiful estate in the heart of a rainforest in Far North Queensland. Ten years after the tragic death of her husband, Mateos, in a boating accident, Celeste is set to return to the stage for her final performance. Her husband’s son Jack, still haunted by the past, arrives amidst the preparations for the performance and finds Celeste is as he remembered – beautiful, intoxicating and dangerous. Celeste wants Jack to stay at the estate, but needs him to perform one last request.
Novella McClure is like most struggling actresses in Los Angeles: she’s in her early 30s, her fake name sounded cooler ten years ago, and she hasn’t landed a role in three years. To top it all off, she’s developed a disturbing habit of eating her own flesh. Novella desperately tries to hide her strange condition from her motherly landlord, Eesha, and somewhat psychopathic best friend, Candice, but her body and mind continue to deteriorate in the depressing world of failed auditions and sketchy night clubs. Can a romantic relationship with her psychiatrist prevent her from self destruction? Or will her fatal habit continue to eat away at her?
Sherry Graham, a self-destructive makeup saleswoman, hopes a new man and business venture will provide her a fresh start. After her plans are foiled, she takes control of her life in a dramatic turn of events.
A young woman awakens in a world devastated by meteorite strike, yet she recalls her own death 70 years ago. Searching for answers she finds plague, destruction, madness and a terrifying adversary, who confronts her with a long forgotten memory and a impossible choice.
In this, the sequel to Jean de Florette, Manon (Beart) has grown into a beautiful young shepherdess living in the idyllic Provencal countryside. She plots vengeance on the men whose greedy conspiracy to acquire her father’s land caused his death years earlier.
Every city has its legends and this city’s legend is the ‘Ferryman’. It is said that a person who takes on this role can help eliminate pain and sorrow from the world. Chen Mo, a bar owner, and his partner Guan Chun may seem foolish but in reality, they are an embodiment of this legend. As long as one makes a reservation, there is no problem either are incapable of solving. A young woman, Xiao Yu, makes such a reservation for her idol Ma Li, but as Chen and Guan begin to assist Xiao they begin to encounter and reckon with the sorrow hiding within themselves.
Liberated ’70s couple seduce another couple into experimentation with bisexuality and group-sex.
As the British and French soldiers battle for control of the American colonies in the 18th century, the settlers and native Americans are forced to take sides. Cora and her sister Alice unwittingly walk into trouble but are reluctantly saved by Hawkeye, an orphaned settler adopted by the last of the Mohicans.
Allan (Hugh Grant) is an engineer working in 1930s Calcutta. He is invited to stay with the family of his boss, Narendra Sen (Soumitra Chatterjee) which includes his wife, Indira (Shabana Azmi) and daughter Gayatri (Supriya Pathak). Gayatri and Allan become romantically involved leading to tragedy.
A young man recruits a film student to help him prove the existence of an urban legend.