A recently widowed man and his two teenage daughters travel to a game reserve in South Africa. However, their journey of healing soon turns into a fight for survival when a bloodthirsty lion starts to stalk them.
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Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.
Benjamin has lost his wife and, in a bid to start his life over, purchases a large house that has a zoo – welcome news for his daughter, but his son is not happy about it. The zoo is in need of renovation and Benjamin sets about the work with the head keeper and the rest of the staff, but, the zoo soon runs into financial trouble.
After being accused of murder and awaiting his death penalty, Kishen Mohan Girhotra is compelled by NGO worker Gayatri Kashyap to form a musical band of prisoners to compete at band competition held at the dreaded jail of ‘Lucknow Central’. Kishen befriends and convinces a talented bunch of criminals to form a band that provides them with a purpose and a new lease of life.
A rich man gathers together friends and relatives at the abandoned theatre he owns, but the party isn’t fun for long since apparently one of them is a murderer.
A group of college friends celebrate the end of term with a party to end all parties. During a drink and drug-fuelled evening, an innocent game of ‘Truth or Dare’ has a very sore loser, sparking a terrifying sequence of events and a whole new twist on the game of truth or dare – where the truth can kill you.
When a lively young family moves in next door, grumpy widower Otto Anderson meets his match in a quick-witted, pregnant woman named Marisol, leading to an unlikely friendship that turns his world upside down.
Two worn-out wrestling brothers take part in a midnight fight on Halloween. What they do not know: While they are trapped in the wrestling arena, their opponents and the audience were infected with a mutated variant of rabies. Equipped only with their martial arts and wrestling masks, the brothers have to fight for their lives and prevent the virus from breaking out.
A stranger in the increasingly strange city of San Francisco, Japanese crime novelist Aki is unsure of precisely what role she has to play in a real-life murder mystery involving ambiguous MacGuffins and amorphous identities. Unfolding in lonely places such as bookshops and hotel bars, Dave Boyle’s moody thriller uncovers exhilarating new takes on genre conventions. Consequently, it’s an alluring l’homme fatal who supplies Aki with the breadcrumb trail of clues that entices her into a labyrinthine plot of sinister dealings. In turn, the aging sheriff (veteran character actor Pepe Serna, fantastic in a rare leading role), who should rightfully be riding to her rescue, proves to be equally out of his depth. The game is afoot, the chase is exhilarating and the stakes are perilously high in this inspired neo-noir.
During a heat wave, strange clouds start pouring down acid rain, wreaking devastation and panic throughout France. In a world teetering on the edge, a girl and her divorced parents must join forces to confront and try to escape this climate catastrophe.
As the face of law enforcement in America for almost 50 years, J. Edgar Hoover was feared and admired, reviled and revered. But behind closed doors, he held secrets that would have destroyed his image, his career and his life.