Elaine and Ed Kendall have more than their share of grief and suffering. Once a young couple in love they now struggle for a sense of stability in their Staten Island home. Their eldest son is suffering from the physical and psychological effects of war; his younger brother takes it upon himself to bring him peace and relief. Meanwhile, their special needs daughter brings another kind of chaos to the family. Even though Ed and Elaine explore options for her care, they’re really just hanging on to hope that things improve somehow.
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A modern retelling of Snow White set against students in their freshman year of college in the greek system.
After returning home from a traumatic tour of duty in Iraq, John finds himself struggling with PTSD. What little peace he had managed to build around him is shattered one fateful day when he rescues a local call girl from a group of violent Aryan Brotherhood pimps. Having killed several of the high-ranking brotherhood during the rescue, John and his family are now the prime targets of Hollis, the ruthless criminal leader of the group.
A young couple, feeling the pressures of parenting and adulthood, sends their kids to camp for the first time and embark on a series of sexual adventures to reinvigorate their relationship.
Frank Perry is an institutionalized convict twelve years into a life sentence without parole. When his estranged daughter falls ill, he is determined to make peace with her before it’s too late. He develops an ingenious escape plan, and recruits a dysfunctional band of escapists – misfits with a mutual dislike for one other but united by their desire to escape their hell hole of an existence.
Best friends Cliff and Otis plan to get rich quick by stealing from some of the most dangerous foes in the business: drug dealers. Going against the plan, the two spend the night partying, allowing the audience to see that, in a certain light, the “bad guys” weren’t really all that bad to begin with. Simply put, this film is just your everyday druggie, dramedy, indie musical that’s filled with Germans, Jesus, banjos, bongos, beers, and bongs.
Jade, a successful freelance photographer is hopelessly in love with her best friend of 10 years, bar manager Danny. She discovers through several challenging encounters both personally and professionally that the one thing keeping them from happy ever after is her inherent beauty – her complexion and skin tone. Her shade.
Rachel loves her life, her students, her friends, her ex, her guitar lessons. When she falls in love with Ali, she grows close to his 4-year-old daughter, Leila. She tucks her in, looks after her, and loves her like a mother… which she isn’t. Not yet. Rachel is 40. The desire for a family of her own is growing stronger, and the clock is ticking. Is it too late?
Stephen Frears directs this biographical drama focusing on controversial British playwright Joe Orton, revealed in flashback after his murder by lover Kenneth Halliwell. Born in 1933 in Leicester, in the English Midlands, John ‘Joe’ Orton moves to London in 1951, to study at RADA, and enjoys an openly gay relationship with Halliwell in their famous Islington flat in the 1960s. However, when Orton achieves spectacular success with such plays as ‘What the Butler Saw’ and ‘Loot’, Halliwell begins to feel alienated and the pair’s future looks increasingly uncertain.
After a confusing interaction in downtown Tehran, a married couple seems to have found their doppelgängers.
After the death of her father, a troubled woman returns home to confront the family who paid for her silence. Kira Flynn grew up in a storybook NJ setting. As a teen, she was a gifted artist with a bright future ahead of her, until one fateful night changed everything; a child’s innocence, a father’s loyalty, and a family’s future. Fifteen years later, Kira’s father passes away. She returns home to her mother, Sheila, and her brother, Lucas, to help bury her father while she digs up her past.
In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of ‘passive resistance’, endeavouring to win freedom for his people without resorting to bloodshed.
