A man rescues a woman from a suicide attempt in a gay nightclub. Walking the streets together, she propositions him: She’ll pay him to visit her at her isolated house for four consecutive nights. There he will silently watch her. He’s reluctant, but agrees. As the four nights progress, they become more intimate with each other, and a mutual fascination/revulsion develops. By the end of the four-day “contract”, these two total strangers will have had a profound impact on each other.
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Henry VIII of England discards one wife, Katharine of Aragon, who has failed to produce a male heir, in favor of the young and beautiful Anne Boleyn.
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Once in the life (of drug dealing and organized crime), can anyone get out? During a brief jail stay, two half-brothers, who have rarely seen each other while growing up, connect. One of them, called 20/20 Mike because he can sense people nearby, concocts a scheme in which the two of them will steal some dope from young couriers. The heist goes awry when Billy, the junkie brother, shoots the victims of the theft. The brothers hole up in an abandoned building, and 20/20 Mike seeks help from an old cell mate, Tony, whom he thinks is out of the life. It turns out that they have stolen Tony’s dope, and Tony’s boss wants the two thieves dead. Is there any way out? Written by
Two westerners, a priest and a teacher find themselves in the middle of the Rwandan genocide and face a moral dilemna. Do they place themselves in danger and protect the refugees, or escape the country with their lives? Based on a true story.
On the eve of legalization a marijuana grower is brutally murdered. His best friend, against the advice of his mentor (Cheech Marin, Up in Smoke), teams up with a suspended narcotics investigator (A.C. Peterson, Shooter) to find the killer. Dark Harvest’s lawless marijuana landscape creates a web of sexual intrigue and violence in which the cop and grower are forced to settle their moral differences to stop a cunning psychopath, and uncover a truth much bigger than the stolen drugs.
During the Blitz of World War II, a female screenwriter (Gemma Arterton) works on a film celebrating England’s resilience as a way to buoy a weary populace’s spirits. Her efforts to dramatise the true story of two sisters (Lily Knight and Francesca Knight) who undertook their own maritime mission to rescue wounded soldiers are met with mixed feelings by a dismissive all-male staff.
When a young soldier in Vietnam gets dumped by his hometown girl, he and his best friend decide to go AWOL and return to the States to win her back.
The perfect killing machine is reprogrammed to think and feel.
A woman setting out to get what she thinks she deserves will stop at nothing to become the first lady of the church, all for the glitz and glamour.