Prequel to “5th of a Degree.”
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“Tormenting the Hen” a caustic satire of city mice in the world of country mice, where well-meaning cosmopolites clash with strange townsfolk in country homes, black-box theaters, backyards, and local pubs. Invited by a dippy, curator (Josephine Decker), playwright Claire (Dameka Hayes) is spirited away to an artists’ retreat to present a political one-act about race, resentment, and masculinity. Accompanied by her fiancé, Monica (Carolina Monnerat), begins as a welcome getaway for the harried pair, until an unexpected visit from town enigma Mutty (Matt Shaw) casts a threatening shadow. While Claire plays babysitter to a duo of difficult performers Joel (Brian H. Brooks) and Adam (David Malinsky) Monica attempts to maintain her sanity despite her lover’s decreasing attentions and her neighbor’s proximity. Each woman struggles to preserve her autonomy in an increasingly hostile milieu, building to a soul-shaking climax that offers no easy answers for character and viewer alike.
Thinking they’re doing the right thing by taking matters into their own hands, two brothers cross the line when they take a household rifle without their father’s consent. Set in contemporary middle class rural Lebanon, a country with a porous border constantly threatened by hostile infiltration, this coming-of-age story examines fraternal trust and brings into focus the ethics of seemingly innocuous violence and its consequences.
Rojda, a native of Iraqi Kurdistan and a soldier in the German army, travels to a refugee camp in Greece where she manages to meet her mother, who has bad news about her sister Dilan.
Amalie is the girl who has everything, good looks, money, a boyfriend and a big talent of dancing. One day, her world falls apart and she moves from everything she knows. Then enter Mikael. He is dancing in the streets and Amalie joins him in dancing on the streets, dancing Battles.
A death row prisoner with 10 days left to live forms an unlikely bond with a washed up country singer turned prison guard.
A naive young man assumes a dead man’s identity and finds himself embroiled in an underground world of power, violence, and chance where men gamble behind closed doors on the lives of other men.
Truck driver searches for his brother, who has disappeared in a town run by a corrupt judge.
Angel City trooper Jack Deth is sent back in time from 2247 to 1985 L.A. to inhabit the body of his ancestor. Deth’s assignment is to find his archenemy, Whistler, who turns people into zombies, before the fiend is able to kill all the ancestors of the future’s governing council.
A nine-year-old boy gets a plastic Indian and a cupboard for his birthday and finds himself involved in adventure when the Indian comes to life and befriends him.
3 brother return to the village of Bunohan with three very different reasons; they will encounter death, deceit and a very grim revelation.
In 1840s England, palaeontologist Mary Anning and a young woman sent by her husband to convalesce by the sea develop an intense relationship. Despite the chasm between their social spheres and personalities, Mary and Charlotte discover they can each offer what the other has been searching for: the realisation that they are not alone. It is the beginning of a passionate and all-consuming love affair that will defy all social bounds and alter the course of both lives irrevocably.
When bullied Molly Flowers declares her dislike of boys, her boozy and self medicated mother invents a story to shock her into a more sympathetic view. The tale of how Molly had actually been born a boy called Bradford Dillman but, because of Mum’s want for a little girl, she asked the doctors to chop her willy off. The offending item has been kept for Molly in a shoebox on top of her wardrobe which now looms over everything she does. Molly’s over active imagination manifests itself into the arrival of Bradford Dillman. When Mum denies all knowledge of the tale, who will Molly choose to believe in?