In 1980, a teenage boy escapes the unrest in Iran only to face more hostility in America, due to the hostage crisis. Determined to fit in, he joins the school’s floundering wrestling team.
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The USS Neptune, a nuclear submarine, is sunk off the coast of Connecticut after a collision with a Norwegian cargo ship. The navy must attempt a potentially dangerous rescue in the hope of saving the lives of the crew.
As the Iranian revolution reaches a boiling point, a CIA ‘exfiltration’ specialist concocts a risky plan to free six Americans who have found shelter at the home of the Canadian ambassador.
Dan Roman is a veteran pilot haunted by a tragic past. Now relegated to second-in-command cockpit assignments he finds himself on a routine Honolulu-to-San Francisco flight – one that takes a terrifying suspense-building turn when disaster strikes high above the Pacific Ocean at the point of no return.
Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family’s expectations, and his true feelings.
When U.S. Rangers and an elite Delta Force team attempt to kidnap two underlings of a Somali warlord, their Black Hawk helicopters are shot down, and the Americans suffer heavy casualties, facing intense fighting from the militia on the ground.
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
New York Times reporters Megan Twohey and Jodi Kantor break one of the most important stories in a generation — a story that helped launch the #MeToo movement and shattered decades of silence around the subject of sexual assault in Hollywood.
Walt Kowalski is a widower who holds onto his prejudices despite the changes in his Michigan neighborhood and the world around him. Kowalski is a grumpy, tough-minded, unhappy old man who can’t get along with either his kids or his neighbors. He is a Korean War veteran whose prize possession is a 1972 Gran Torino he keeps in mint condition. When his neighbor Thao, a young Hmong teenager under pressure from his gang member cousin, tries to steal his Gran Torino, Kowalski sets out to reform the youth. Drawn against his will into the life of Thao’s family, Kowalski is soon taking steps to protect them from the gangs that infest their neighborhood.
Lillie, a determined American woman, ventures overseas to join Dr. Jude at a remote medical mission in the Ottoman Empire (now Turkey). However, Lillie soon finds herself at odds with Jude and the mission’s founder, Woodruff, when she falls for the titular military man, Ismail, just as the war is about to erupt.
In the morning of April 5, 2004, the greatest bank robbery in Norwegian history was carried out in Stavanger. The robbery itself is the main character of the story, and it is illuminated from several angles in the course of the film, from the perspective of the police, the robbers, the central cash service personnel, and ordinary people
