When the husband of a dying woman is approached by a corporation pioneering a new program to extend life through robotics, they get caught in a public debate over humans’ relationship with technology.
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In the middle of a routine patrol, officer Daniel Carter happens upon a blood-soaked figure limping down a deserted stretch of road. He rushes the young man to a nearby rural hospital staffed by a skeleton crew, only to discover that patients and personnel are transforming into something inhuman. As the horror intensifies, Carter leads the other survivors on a hellish voyage into the subterranean depths of the hospital in a desperate bid to end the nightmare before it’s too late.
Socialite Vita Sackville-West and literary icon Virginia Woolf run in different circles in 1920s London. Despite the odds, the magnetic Vita and the beguiling Virginia forge an unconventional affair, set against the backdrop of their own strikingly contemporary marriages; which inspired one of Woolf’s most iconic novels, ‘Orlando’.
Celeste and Jesse met in high school and got married young. They laugh at the same jokes and finish each other’s sentences. They are forever linked in their friends’ minds as the perfect couple – she, a high-powered businesswoman and budding novelist; he, a free spirit who keeps things from getting boring. Their only problem is that they have decided to get divorced. Can their perfect relationship withstand this minor setback?
Steven Spielberg Presents Animaniacs: Wakko’s Wish, usually referred to as Wakko’s Wish is a 1999 American direct-to-video animated tragicomedy film based on the Warner Bros. 1993-98 animated series, Animaniacs, and also the swan song to the original series before its renewal in 2017. The film relocates all the Animaniacs characters to a quasi-medieval fairy tale world and portrays their race to find the wishing star that will grant them a wish. While the film was released during the Christmas season, the holiday is not a factor in its plot, though the events do take place during winter.
My mother has died. Her name was Maria. Her children, we, Raúl and Santiago, discover among the objects left by our mother hundreds of photographs from our maternal grandfather, from REGINA -our great-aunt-, from our mother, from our father… And through those photographs, and with the help from an old camera -my grandfather’s inheritance-, I, -along several trips to the places where those photographs were taken-, seek to recover and not lose my memory… that of my family. In the end, we will have to think on our memory and on what we have preserved and lost.
Fourteen years after a tragic accident, former Olympian figure skater Amy Clayton agrees to coach a young student. In doing so, she must face the demons of her past and embark upon a journey of healing her shattered life and broken relationships. Being on the ice unearths painful memories while simultaneously re-awakening a quest and a dream she thought she had left behind.
Stephen Frears directs this biographical drama focusing on controversial British playwright Joe Orton, revealed in flashback after his murder by lover Kenneth Halliwell. Born in 1933 in Leicester, in the English Midlands, John ‘Joe’ Orton moves to London in 1951, to study at RADA, and enjoys an openly gay relationship with Halliwell in their famous Islington flat in the 1960s. However, when Orton achieves spectacular success with such plays as ‘What the Butler Saw’ and ‘Loot’, Halliwell begins to feel alienated and the pair’s future looks increasingly uncertain.
Shot five times by a Los Angeles gang, leaving ten bullet holes through his body, Tony died for thirty minutes and had an out-of-body experience, where he talks with God and makes a choice to forgive.
A deliciously romantic coming together of Gulrez “Gullu” Qadir (Parineeti Chopra) a Hyderabadi shoe-sales girl disillusioned with love because of her encounters with dowry-seeking men; and Tariq “Taru” Haidar (Aditya Roy Kapur) a Lucknawi cook who can charm anybody with the aroma and flavours of his biryani and kebabs.
