Love Actually… Sucks! was inspired by real-life events, and opens with a dramatic wedding feast. It tells a variety of stories about love that has gone wrong: a brother and sister in an illicit relationship, a married painter who falls in love with his young male life model, a dance school teacher who is besotted with his senior student, and a lesbian couple, one of whom has role-play paranoia, and is caught in a complex love triangle. The film celebrates the belief that life is love.
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Forensic psychologist Alex Cross travels to North Carolina and teams with escaped kidnap victim Kate McTiernan to hunt down “Casanova,” a serial killer who abducts strong-willed women and forces them to submit to his demands. The trail leads to Los Angeles, where the duo discovers that the psychopath may not be working alone.
Extremely shy Lars finds it impossible to make friends or socialize. His brother and sister-in-law worry about him, so when he announces that he has a girlfriend he met on the Internet, they are overjoyed. But Lars’ new lady is a life-size plastic woman. On the advice of a doctor, his family and the rest of the community go along with his delusion.
Carl Hamilton manages to infiltrate an international gang that has stolen advanced Swedish GPS-guided missiles. But the league is subjected to a sudden deadly attack by a well drilled group of mercenaries of unknown clients. Hamilton escapes the massacre, but the rockets have disappeared without a trace.
When hotel event planner Rachel breaks up with her boyfriend John for cheating on her, she decides to go looking online for a new boyfriend. In the expanse of cyberspace, she meets a charming, wealthy man named Craig, who at first, seems perfect. He’s attractive, fun, romantic, and he’s been successfully running his mother’s global real estate company while his mother, Doris travels the world. But Craig is far from perfect. He’s obsessive and controlling, and once he sets his sights on Rachel, he has no plans of ever letting go…
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
While shooting their reality TV show, a team of ghost hunters get into the fight of their lives as they investigate the haunted tunnels deep below an old Texas college.
Babe is a little pig who doesn’t quite know his place in the world. With a bunch of odd friends, like Ferdinand the duck who thinks he is a rooster and Fly the dog he calls mom, Babe realizes that he has the makings to become the greatest sheep pig of all time, and Farmer Hogget knows it. With the help of the sheep dogs Babe learns that a pig can be anything that he wants to be.
After a group of teens from a small Midwestern town begin to mysteriously disappear, the locals believe it is the work of an urban legend known as The Empty Man. As a retired cop investigates and struggles to make sense of the stories, he discovers a secretive group and their attempts to summon a horrific, mystical entity, and soon his life—and the lives of those close to him—are in grave danger.
Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.
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