When a remote farmer’s childhood sweetheart shows up unexpectedly, old flames are reignited and the pair unravel the mess that caused their separation.
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What would it be like if your last name was Hitler? Director Matt Ogens seeks that answer by intimately portraying a diverse group of individuals with that same unfortunate name.
Diggsy (Kristopher Wente) has been in love with Suzette (Sara Antonio) since he was 9 years old. After she marries someone else, he encounters a mysterious stranger (Eddie George) who offers him a key that can open doors into parallel universes. This uncanny opportunity gives him a chance to find a version of Suzette who will love him back. During his journey, he unexpectedly meets Gwyneth (C.J. Perry), a wild card who may throw his universe-jumping adventure for a loop. For Diggsy, this is a tale full of surprises, awkward encounters, and the possibility of finding the perfect version of that someone who will love you back.
Charlie and Alison are in love and it’s the real deal. Their time together is abruptly cut short, however, when one morning Charlie wakes to find the back door to their apartment is wide open, and Alison is nowhere to be found. Vanished from his life without a trace, a heartbroken Charlie eventually moves on. Years later, living with his beautiful new fiancee, and having all but forgotten Alison, Charlie receives a mysterious package. The horrifying discovery inside will bring Alison back into Charlie’s life in a terrible new way.
A slovenly cable repairman becomes a big-city health inspector and is tasked with uncovering the source of a food poisoning epidemic.
Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
After 6 years of brutal murders the West Yorkshire Police fear that they may have already interviewed The Ripper and let him back into the world to continue his reign of terror upon the citizens of Yorkshire, but things become more difficult for the Police when they discover they not only have The Ripper to catch, but a copycat killer is also at large. Assistant Chief Constable of the Manchester Police, Peter Hunter, is called in to oversee the West Yorkshire Police’s Ripper investigation, with the help of John Nolan and Helen Marshall, both detectives from the Manchester Police, they decide to go back and look at the crime reports from the Rippers victims to see what they could have missed.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
On a faraway mountaintop, eight kids with guns watch over a hostage and a conscripted milk cow.
When a heartbroken scientist moves back home to start over, her scheming brother hires a handsome stranger to convince her to sell their land.
Performing art troupe members each face their own trials and tribulations in Chengdu; from escaping a family scandal to dealing with unrequited love, each experiences rejection that shapes their lives in this coming-of-age tale selected to play at the Toronto International Film Festival. Directed by Chinese helming legend Feng Xiaogang.
The dramatic story of US marines in training, in combat and in love during World War II. The story centres on a major who guides the raw recruits from their training to combat. Based on the novel by Leon Uris.
