A recently divorced mother allows her troubled daughter to attend prom, but what was supposed to be the best night of their lives turns into a twisted cat and mouse game when the daughter and her friends are taken hostage by their limousine driver.
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Bob Revere is a small town Mayor and combat decorated veteran. He faces a root of bitterness from his past filled with heartbreaking loss. His grandson comes back into his life after many years to ask the most important question, “What are we doing with our life to make a difference?” Bob had grown apathetic along with an entire town. Now with the help of children, a group of people all band together to inspire hope, take back the freedoms that are being lost and take a stand for truth. The cast includes Marshall Teague (Roadhouse), Jennifer O’Neill (Summer of ‘42), Fred Williamson (Black Ceasar) and Jenna Boyd (Sisterhood of the Traveling Pants).
When her ill mother urges her to take a vacation from her caretaking, grad-school-dropout Leigh invites her ex along on the camping trip. The two soon find that confronting old wounds during a weekend in the woods is anything but restful.
Follows the Walton family as they prepare enthusiastically for the annual Harvest Festival Fair on Walton Mountain in 1934, but their lives are dramatically changed after a young boy arrives.
When a young fisherman with a hidden talent gets discovered by a music producer, he must decide if he’s ready to open himself up to stardom — and love.
A film with no spoken dialogue, just follows the music and lyrics of Benjamin Britten’s “War Requiem, which include WWI soldier poet Wilfred Owen’s poems reflecting the war’s horrors. It shows the story of an Englishman soldier (Wilfred Owen) and a nurse (his bride) during World War I. It also includes actual footage of contemporary wars (WWII, Vietnam, Angola, etc.)
A big new home, a lovely wife and a new job seem to steer Henrik firmly towards the middle age and a bourgeois lifestyle. There is, however, a substantial amount of boyish prankster still in him – sometimes a little bit too much. Director Martin Lund’s understated, offbeat humour often evokes Bent Hamer’s delightful studies of lone males (O’Horten, Kitchen Stories)
As a divorced father of two teenage daughters, with a head-strong ex-wife for a best friend, too many peculiar patients to keep up with and a new dog, psychotherapist Max certainly doesn’t need another challenge. But when Sophie, a compulsive gambler with a boyfriend problem, regularly shows up late for her appointments, she rocks his world in ways he’s not ready for.
Yoshito grew up with his mother Yasue after his father passed away. His mother ran a yakiniku (grilled meat) restaurant that his father had left behind. Yoshito enjoyed eating his mother’s cooking and their restaurant was loved by many people. Things changed after popular food critic Furuyama Tatsuya published false statements about their yakiniku restaurant. Due to that, their restaurant saw a sharp drop in customers. Yasue worked hard to recover business for the restaurant. Due to Yoshito’s behavior in wanting attention from his mom, Yasue decided to shut down the restaurant. 18 years later, Yoshito lives alone and he works as a freelance writer. One day, he takes work for a new online foodie website. He works with editor Takenaka Shizuka. Their first assignment involves yakiniku. Around that time, Yoshito hears that his estranged mother Yasue has collapsed.
Danny Bishop is a gambling prodigy. After exiling himself to prison, he returns to his brothers home only to find himself back in the game because of a large debt for his protection in prison. He cons a group of high stakes gamblers, including his vicious rival, Alex, to a tournament. The story is a delicate balance between the tension of the game and the strained relationship with his brother.
A down-on-his-luck bookie befriends an ex-girlfriend’s son and gets the bright idea to take bets on his youth league baseball games; only to realize he’s killed what’s pure about the sport as the games turn ugly when money is on the line.
