Twin sisters secretly swap places on their thirtieth birthday. The harmless prank becomes a nightmare when one of them is murdered.
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A monotonous life has pushed the unfulfilled Forrest (Todd Blubaugh) to a voyage of self-discovery by living aboard his sailboat on an alluring, Missouri lake. Soon he catches wind of the rebellious and free-spirited Everly (Nicola Collie) and their idealistic dreams align for a thrilling and thought-provoking, romantic adventure. Can they survive, reconnect with nature and rewrite their own rules of modern existence, or will they discover that society operates the way it does for a reason?
In Columbus, Ohio, a group of autistic teenagers and young adults role-play this transition by going through the deceptively complex social interactions of preparing for a spring formal. Focusing on several young women as they go through an iconic American rite of passage, we are given intimate access to people who are often unable to share their experiences with others. With humor and heartbreak, How to Dance in Ohio shows the daily courage of people facing their fears and opening themselves to the pain, worry, and joy of the social world.
Arun and Darshana are first-year engineering students and they fall in love soon after their college begins. And just as how things work generally in teenage, the road ahead isn’t too easy for them. Life offers many twists and turns that they least expect.
In Santa Cruz for the summer, a young woman discovers the sport of surfing — and a family secret as well.
After he did some jobs for CIA, ex-marine John Shale is visiting his high school love Jane. She’s now a teacher in Columbus High School in Miami. Soon after his arriving Jane has her knee cap broken while jogging. After that, John decides to go undercover as her substitute in high school. Very soon he finds out that gang named Kings of Destruction is terrorizing the school.
Quite by accident, a film director arrives in town a day early. With time to kill before his lecture, he stops by a restored palace and meets a fledgling artist. She’s never seen any of his films, but knows he’s famous. They talk, they go to her workshop to look at her paintings, and they have sushi and soju. More conversation follows, along with more drinks, and then an awkward get-together with friends where all sorts of secrets are revealed. All the while, they may or may not be falling for each other. Then, quite unexpectedly, we begin again, but now things appear somewhat different. An uncanny romantic comedy, RIGHT NOW, WRONG THEN is a deliciously intricate masterwork from filmmaker Hong Sangsoo.
A group of female freedom-fighters led by Karine Levere is caught by the warden of a women’s prison, located somwhere in the South American jungle. None of them will reveal the secrets of their organisation or the names of their collaborators in the cities, so they are handed over to Dr. Costa who, after four years inactivity in Europe, is delighted to be able to practice his torture techniques once more. Laverne fails to resist the inhuman treatments and reveals all. The only hope of saving the organization is for the girls to warn the city cell before it’s too late. They trick the prison guard into having sex with them, knock him out and break out of prison. The warden and Dr. Costa must prevent them from revealing the practices inside the prison. The hunt is on and it’s shoot to kill…
CHOIR GIRL is a gritty drama about a lonely photographer, Eugene, who becomes obsessed with an underage prostitute, Josephine, in his rundown neighbourhood. She has escaped a worn-torn country only to be trapped in the illegal sex trade by corruption and a powerful underworld criminal named Daddy. Yet for Eugene, Josephine represents a symbol of purity in the darkness – when he takes her photograph there is something captivating about her and she quickly becomes his muse.
A man in his mid-20s and still living at home with his mother and stepfather who puts all his eggs in one basket: the girl who works at his local coffee shop. The problem is, she has a serious boyfriend. As the become closer, the line between friendship and intimacy is blurred, and the situation forces both to examine where they are in their lives.
In Roman Polanski’s first English-language film, beautiful young manicurist Carole suffers from androphobia (the pathological fear of interaction with men). When her sister and roommate, Helen, leaves their London flat to go on an Italian holiday with her married boyfriend, Carole withdraws into her apartment. She begins to experience frightful hallucinations, her fear gradually mutating into madness.