A Matter of Causality

An orphaned war-veteran routinely travels between our world and the afterlife in search of his fiance’s killer by stopping and starting his own heart.

Scott Keyes is a brilliant but misanthropic computer hacker who generally prefers porn to living women and computers to human beings. But Keyes’ life is about to be turned upside-down. Thanks to some code-breaking by his partners Hunter and Gazelle, Keyes is finally able to unlock AIMEE, an incredibly advanced Artificial Intelligence program that appears in the form of a beautiful and seductive woman. But what a smitten Keyes doesn’t realize, and what Gazelle soon discovers, is that AIMEE is an advanced infiltration program and has been designed to learn from whoever downloads her, become whatever he most desires, and in the process, to take over, control, dominate, replicate, spread – and ultimately destroy anyone who opposes her.

Jonathan is a very lonely man. One day, he gets a visitor in his house: a young woman who, through a jarring turn of events, ends up dead. He does not report it because he is happy to have a friend, but now the body begins to decay.

Hazel suffers from a crippling case of agoraphobia. So much so that it causes a rift between her and her mother, Dee. Hazel and her mother decide to go on a road trip to a desert facility to help Hazel deal with her fear but when gunmen and brothers Jesse and Pru attack them, Hazel has to battle her fears so she and her mother can survive.

Someone does a nasty hatchet job on a San Fransisco big noise and the Assistant D.A. takes charge of the investigation. Through a web of blackmail and prostitution involving the Governor, an old lover of the law man emerges as a prime suspect and he has to deal with his personal feelings as well as the case.

Maggie becomes a strong and ruthless member of the all-female Dark Moon gang led by the merciless Trigga, and the all-female motorcycle gang look after each other as they patrol the streets in the small town.

The film chronicles the exploits of the title character, Charlie, played by Raymond J. Barry (Training Day) a career criminal intent on scoring one last big pay day. When his “perfect crime” goes bad, Charlie flees to Los Angeles to hide out with his estranged son, Danny, played by Michael Weatherly. What ensues reveals the true nature of some of the most unsavory of characters.

In a small town in Maine, seven children known as The Losers Club come face to face with life problems, bullies and a monster that takes the shape of a clown called Pennywise.

A tormented jazz musician finds himself lost in an enigmatic story involving murder, surveillance, gangsters, doppelgangers, and an impossible transformation inside a prison cell.

When Simon, Rich, and Eva head out on an eagerly anticipated road trip, they bring along a video camera to record their journey. What starts out as a carefree adventure slowly becomes a descent into the ominous as unexplained events threaten to disrupt the balance between the three close friends. Each one of them must struggle with personal demons and paranoia as friendships are tested and gruesome realities are revealed…and recorded.

When Chelsea meets up with her estranged childhood best friend, Milla, she’s unprepared for the events that follow. Milla, who is now a webcam girl briefly catches Chelsea on camera during one of her shows. Unbeknownst to her, Chelsea has now been exposed to a watcher who becomes obsessed and will stop at nothing to have her to himself.

The Democratic Republic of Congo has endured 20 years of devastating violence. Rape has been used as a weapon of war to destroy community and access precious minerals. Congo is often referred to as “the worst place in the world to be a woman.” CITY OF JOY tells a different story of the region. The film focuses on Jane, a student at a center where women who have suffered unimaginable abuse join together to become leaders. We also meet the founders of the center: a devout Congolese Doctor (Dr Denis Mukwege, 2016 Nobel Peace Prize nominee) a Congolese activist (Christine Schuler-Deschryver) and a radical N.Y. playwright (Eve Ensler, author of The Vagina Monologues). The film weaves between joy and pain as these individuals band together to demand hope in a place so often deemed hopeless.