A man and a woman meet by accident on a Sunday evening at their childrens’ boarding school. Slowly, they reveal themselves to each other, finding that each is a widow.
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In this bloody long-standing feud, two families seek vengeance against each other as they unmercifully attempt to destroy each other’s loved ones.
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woman torn between the path of reason and sentiment and an ambitious neurologist impeded by
wartime wrongdoings. Three stories that plunge us into the human soul of a contemporary Arab
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Substance-addicted Hollywood actress Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her mother Doris Mann, herself once a star and now a champion drinker. Such a set-up is bad news for Suzanne who has struggled for years to get out of her mother’s shadow, and who finds her mother still treats her like a child. Despite these problems – and further ones to do with the men in in her life – Suzanne can begin to see the funny side of her situation, and it also starts to occur to her that not only do daughters have mothers, mothers do too.
Family is an institution. Sometimes, you gotta break out. This is the story of how 17-year-old Candy finds the courage to walk away from everything she’s ever known with the hope of discovering a better tomorrow.
It’s a romantic triangle with a lot of heat when a psychologist (JoBeth Williams) falls in love with a widowed professor (Pierce Brosnan) who’s having an affair with one of her patients (Virginia Madsen). Williams turns a dangerous page when she uncovers that Brosnan is not only the root of Madsen’s emotional turmoil, he also murdered his wife in order to be with Madsen. Better up that day rate.