The plot follows a tortured FBI agent suffering from an irrational fear of darkness, as he investigates a mysterious former prostitute in order to catch a vicious serial killer.
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When National Guard soldier Samantha Harrison returns from the front lines of Iraq, she realizes that none of her training helps her deal with PTSD or the struggles of returning to a normal life. Samantha comes home to find out she’s being blamed for a friendly fire incident that killed two Americans and she becomes the target of an obsessed soldier seeking revenge for their deaths. She tries to reassemble her fragmented memories of that horrific night in order to convince everyone, including herself, that she didn’t do it. Who do you turn to when you can’t trust your own memories and the few people you do trust are being killed off one by one?
An improv group deals with several crises, including the loss of their lease and one member hitting the big time.
College and high school serve as the backdrop for two stories about dysfunction and personal turmoil.
Two best friends, Merv Doody (James Heathcote) and Onkey (Dan Palmer), take a hapless escaped mental patient under their wing and attempt to teach him how to become a real serial killer.
Set during the opening days of World War II on the Eastern Front. Its main cast are a group of Soviet teenagers with extraordinary abilities; the teenagers have been drafted to form a special unit to fight the invading German army. They are opposed by a Schutzstaffel officer who is attempting to raise from the dead a supernatural army of crusaders from the 12th-century Order of the Sacred Cross.
The strange and brutal deaths of Cory’s grandparents has haunted him for years. Determined to discover the truth, he has returned to the desolate region where they lived, along with a group of friends, to try and uncover the mystery. Ignoring warnings from the locals that the area is cursed, Cory and his friends soon realize that the legend is true, as the Demon Wind, possesses and destroys them, one by one, turning them into monsters from hell.
Set over a day in 1924, the story follows Jane Fairchild, a maid in the Niven household, who has the day off to celebrate Mothering Sunday while Mr. and Mrs. Niven attend a lunch to celebrate the engagement of their neighbour’s only remaining son, Paul, to Emma Hobday. Jane rejoices at her freedom on an unseasonably hot, beautiful spring day. But, she has no mother to go to. For almost seven years she has – joyfully and without shame – been Paul’s lover. Like the Nivens, Paul belongs to England’s old money aristocracy, whereas Jane was orphaned at birth. With the house conveniently empty, they can finally meet in Paul’s bedroom for the first time. Today will be their last as lovers. It is also the day that will mark the beginning of Jane’s transformation as the story unfolds through the hours of clandestine passion.
An unemployed construction worker (Homer Smith) heading out west stops at a remote farm in the desert to get water when his car overheats. The farm is being worked by a group of East European Catholic nuns, headed by the strict mother superior (Mother Maria), who believes that Homer has been sent by God to build a much needed church in the desert…
Henry Harding MP, a British government minister on a moral crusade, hires an inexperienced young computer whizzkid, Peter Emery who works for a Christian computer company called Holy Hardware, to infiltrate the United Kingdom BDSM scene.
A young man must find his own way as his Southern Baptist roots don’t seem to be acceptable at his new liberal arts college.
TV drama based on Richard Burton’s diaries, about his last performance in 1983 with ex-wife Elizabeth Taylor. They meet after several years and he agrees to her suggestion that they star in a stage revival on Broadway of Noel Coward’s comedy ‘Private Lives’, although Elizabeth Taylor has never before performed on stage. Burton soon regrets his agreement, however, when her pill-popping and lack of discipline causes problems already during the rehearsals. The play opens to a critical trashing, but is popular with audiences because they just want to see Taylor. After a two month troubled run, the curtain comes down and Taylor tells Burton she has always loved him and still does. A year later he is dead.
