Sixteen-year-old Billie’s reluctant path to independence is accelerated when her mother reveals plans for gender transition, and their time together becomes limited to Tuesdays. This emotionally charged story of desire, responsibility, and transformation was filmed over the course of a year—once a week, every week, only on Tuesdays.
You May Also Like
A dark and atmospheric story of female friendship tested by deceit, betrayal and a terrifying past. Susan, outwardly confident and Becky, more fragile and shy, both in their late twenties, are inseparable friends. But both women have secrets they have not shared, some recent, some long past and deeply buried. When, on a weekend trip to Dartmoor, they encounter the charismatic Chris, they are led into a web of mind games, sexual deceit and betrayal. As Becky’s traumatic involvement in Chris’ own damaged past is revealed, a psychological journey swiftly becomes a fight for survival.
This multiple-Oscar-winning film by Roman Polanski is an exquisite, richly layered adaptation of Thomas Hardy’s Tess of the d’Urbervilles. A strong-willed peasant girl (Nastassja Kinski, in a gorgeous breakthrough) is sent by her father to the estate of some local aristocrats to capitalize on a rumor that their families are from the same line. This fateful visit commences an epic narrative of sex, class, betrayal, and revenge, which Polanski unfolds with deliberation and finesse. With its earthy visual textures, achieved by two world-class cinematographers—Geoffrey Unsworth (Cabaret) and Ghislain Cloquet (Au hasard Balthazar)—Tess is a work of great pastoral beauty as well as vivid storytelling.
Shi-Eun (Su-jeong Lim) is a woman whose love for riding horses makes her face trials and tribulations.
A paranoid man embarks on an epic odyssey to get home to his mother.
Colin, an ambitious young American businessman, has a deal with a potential client, a rich Arab sheikh who is a passionate pigeon fancier. The sheikh has tried several times to buy a champion pigeon, but the owner continues to stubbornly refuse his offer. In an attempt to gain the trust of the Sheikh, Colin offers him a deal: if he manages to convince the owner to sell the champion pigeon, the sheikh will agree to do business with Colin’s company. But when Colin meets Jos, the grumpy owner of the pigeon, and Isabella, his granddaughter, he realizes that this mission will not be as easy as he had hoped.
An ex-con battles it out in the cage to pay for the operation that would save the daughter of his victim. Along the way he finds fatherly love, and friendship, in the most unlikely of places.
The Pregnancy project tells the real story of Gaby Rodriguez, a seventeen-year-old who attended a Washington state high-school and made her senior school project the treatment of pregnant teenagers by pretending to be pregnant.
In a contemporary adaptation of the Jane Austen classic, “Pride and Prejudice: Atlanta” follows Reverend Bennet (Reginald VelJohnson, “Family Matters”), a pastor of a prominent southern Baptist church and his wife Mrs. Bennet (Jackée Harry, “Sister, Sister”), who is the author of a self-help book on how to find the perfect husband. Needless to say, Mrs. Bennet is less than thrilled that all five of their daughters, Lizzie (Tiffany Hines, “Toni Braxton: Unbreak My Heart”), Jane (Raney Branch, “Being Mary Jane”), Mary (Brittney Level, “The Purge”), Lydia (Reginae Carter, “Growing Up Hip Hop: Atlanta”) and Kitty (“Alexia Bailey”), are still single. When the very eligible Will Darcy (Juan Antonio, “Empire”) arrives in town, Mrs. Bennet sets her sights on the handsome bachelor for daughter Lizzie, leading to a modern-day, comedic take on themes familiar to fans of the novel.
Sherry Graham, a self-destructive makeup saleswoman, hopes a new man and business venture will provide her a fresh start. After her plans are foiled, she takes control of her life in a dramatic turn of events.
José Henrique Fonseca crafts an ambitious and long overdue homage to a central icon in Brazil’s 20th century history. Reminiscent of film noir classics, the biopic tells the glorious and tragic story of the legendary football striker Heleno de Freitas. The sumptuous black and white cinematography reflects the chic life of Rio de Janeiro in the 1940s as it fell under the spell of sports royalty. Heleno was no doubt one of the most popular players of his time for his bravura in the field and magnificent goal-scoring that lead the Botafogo team to the top and himself into a vicious downward spiral.