1968 – Sport & Revolution

Julie Walters tells the story of how Morph, Shaun the Sheep and that cheese-loving man Wallace and his dog Gromit first came to life.

A former corporate executive fleeing a bad marriage becomes a cannabis farmer, forms a company called Sisters of the Valley and takes on the persona of a nun, Sister Kate.

In an Oklahoma town with 2,000 churches, OpenArms is a small shelter for LGBT teenagers. This doc follows three teens who find love and friendship in a world that labels them outcasts.

A compelling personal journey with David Stratton, as he relates the fascinating development of our cinema history. David guides us from his boyhood cinema experience of Australia in England, where he saw the first images of this strange and exotic landscape via the medium of film, to his migration to Australia as a ‘ten pound pom’ in 1963 and onto his present day reflections on the iconic themes that run through our cinematic legacy. All of this reflects a passionate engagement in a uniquely Australian medium. Parallel and at the heart of the series is the story of an industry whose growing pains David has witnessed over a lifetime. Alongside David, the protagonists of this history are the giants of Australian cinema – both behind the camera and in front of it.

Amanda Knox served four years in an Italian prison for the murder of her British flatmate Meredith Kercher in Perugia in 2007, always insisting on her innocence. In 2011, she was acquitted on the basis of DNA evidence but prosecutors successfully appealed and her acquittal was struck down. In 2014 she was again found guilty in absentia after a retrial and sentenced to 28 years and six months in jail. The saga came to and end when Italy’s highest court overturned the convictions of Ms Knox and her former boyfriend, Italian student Raffaele Sollecito in March 2015. Known burglar Rudy Guede was arrested a short time later following the discovery of his bloodstained fingerprints on Kercher’s possessions. He was later found guilty of murder in a fast-track trial and is currently (as of 2019) serving a 16-year prison sentence.

This documentary chronicles the rise, fall, and rise again of the soft rock epitomized by artists such as Christopher Cross, Michael McDonald, Kenny Loggins, Steely Dan, and Toto in the late 1970s and early 1980s. Retroactively dubbed “Yacht Rock,” the easy-listening genre came to be gently mocked and even dismissed by rock lovers and critics. However, it has since reclaimed its place in music history and is celebrated in this groove-infused film.

On January 18, 2019, 17-year old Nick Sandmann, a student at the affluent Covington Catholic High School in Kentucky, was internationally villainized on social media and in the 24-hour news cycle as he and his classmates appeared to confront Native American elder Nathan Phillips on the steps of the Lincoln Memorial in Washington, D.C. during a March for Life rally. Video clips of the interaction went viral overnight and Sandmann and his classmates faced worldwide outrage as the entire Covington Catholic community became the center of uncomfortable conversations about racism, privilege and politics.

Documentary about the groundbreaking queer feminist art band Fifth Column, who were at the centre of Toronto’s influential Queercore scene in the 1980-90s.

The true story of Ghazaros Demirdjian, the son of immigrants displaced by the Armenian genocide, who went on to achieve the American dream.

Comedy superstar George Lopez performs live in front of a packed house at the Nokia Theatre in L.A. in this stand-up special.

Director Martin Scorsese speaks candidly and passionately about one of his formative filmmaking influences: the late Elia Kazan. Utilizing precisely chosen clips from Kazan’s signature films including “On the Waterfront,” “A Streetcar Named Desire,” “Gentleman’s Agreement,” “Baby Doll,” “A Tree Grows in Brooklyn,” “A Face in the Crowd,” “America, America,” and “The Last Tycoon,” and interview footage of the director himself, co-directors Scorsese and Kent Jones recount the director’s tumultuous journey from the Group Theatre to the Hollywood A-list to the thicket of the blacklist. But most of all, they make a powerful case for Kazan as a profoundly personal artist working in a famously impersonal industry.

Retrospective documentary marking the 20th anniversary of the funeral of Princess Diana narrated by Kate Winslet.