The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors’ prejudices and preconceptions about the trial, the accused, and each other.
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Paul is a sweet man-child, raised — and smothered — by his two eccentric aunts in Paris since the death of his parents when he was a toddler. Now thirty-three, he still does not speak. (He does express himself through colourful suits that would challenge any Wes Anderson character in nerd chic.) Paul’s aunts have only one dream for him: to win piano competitions. Although Paul practices dutifully, he remains unfulfilled until he submits to the interventions of his upstairs neighbour. Suitably named after the novelist, Madame Proust offers Paul a concoction that unlocks repressed memories from his childhood and awakens the most delightful of fantasies.
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The last day of legendary jazz trumpeter Chet Baker.
Lucy Chadman (Shelley Long) chokes to death and is resurrected by her loopy sister Zelda (Judith Ivey) on the one year anniversary of her death. Lucy, of course, does not believe she has actually been dead and thinks it is an elaborate hoax until she goes to her apartment and discovers her husband (Corbin Bernsen) married to her gold digging best friend, Kim (Sela Ward).
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