Upon his return home, a U.S. Marine must face up to the consequences of a shameful tragedy that has defined his past before he runs out of time.
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Once Pedro Chazarreta found murdered in the wonderful gated, El Tribuno newspaper hires retired detective novelist Nurit Iscar/Betibù that is installed in the area and a series of newspaper columns about the case. Along with the Chief of police of the newspaper, Mariano Saravia, and a veteran journalist, Jaime Breña, Betibù starts to investigate the murder. Using an old photo of the adolescence of Chazarreta, which shows him with fellow high school, the Group discovers an apparent connection between this murder and a succession of apparently trivial deaths of members of the photo. At the same time, Betibù must face its past emotional with the editor of the newspaper, Lorenzo Rinaldi, who seeks to restore the relationship.
Eloise, having been relieved of maid of honor duties after being unceremoniously dumped by the best man via text, decides to attend the wedding anyway – only to find herself seated with five fellow-unwanted guests at the dreaded Table 19.
A mentally ill young woman finds her love in an eccentric man who models himself after Buster Keaton.
Aaron Davis (Steve Sandvoss) and Christian Markelli (Wes Ramsey) are the two most opposite people in the world. Aaron is a young Elder (or a Mormon missionary) who wants to do his family proud and is quite passionate about his religion and film. Christian is a shallow WeHo waiter/party boy who only looks forward to bedding a new guy every night.
Nobuko (Sayuri Yoshinaga) works in Nagasaki, Japan as a midwife. Her son died 3 years earlier from the atomic bomb. On August 9, 1948, her son appears in front of her again. Since that time, Koji (Kazunari Ninomiya) appears in front of her and they reminiscence about pleasant times. These happy, but bizarre moments seem eternal.
Two families bond when their teenage sons are killed in an explosion at a suburban mall only to discover one of their children is the prime suspect.
“The Iron Orchard” is the story of Jim McNeely, a young man thrust into the vibrant and brutal West Texas oilfields in 1939, who works his way through the ranks to ultimately become a formidable wildcatter.
Jeff, a young delinquent, is enrolled by his father in a kenpo school, in the hopes of teaching the boy some self-discipline. Years later, Jeff’s mentor, Kim, is being threatened by one of the Korean mafia families. Jeff tries to help his old friend, but is too late to prevent Kim’s death at the hands of an unknown hitman. Vowing revenge, Jeff takes on all of the families, using his martial arts skills to find the man who killed his friend.
The story of the decline of the Soares family in the final months of the 19th century. Isabel is the dying mother, and her daughters are Maria and Ana. The three women try hard to forget about their pasts in the coffee farm and face the industrial times that start to take over Brazil.
In 1951 New York poet Elizabeth Bishop travels to Rio de Janeiro to visit Mary, a college friend. The shy Elizabeth is overwhelmed by Brazilian sensuality. She is the antithesis to Mary’s dashing partner, architect Lota de Macedo Soares. Although frosty at first, the architect soon makes a play for Elizabeth and the poet finally succumbs to Lota’s advances. Mary is jealous, but unconventional Lota is determined to have both women at all costs. Their ménage à trois is thrown off balance when Lota starts work on her biggest project to date, designing Parque do Flamengo in Rio. Elizabeth accepts an academic teaching post in the USA and the women drift apart. Lota, at all other times brimming with self-confidence, is inconsolable. This eternal triangle plays out against the backdrop of the military coup of 1964. Bishop’s moving poems are at the core of a film which lushly illustrates a crucial phase in the life of this influential Pulitzer prize-winning poet
