A few years after her mother’s passing, 17-year old Tennie’s reputation at school takes a major hit before the prom. To further complicate the daily rigors of teenage life, her father, Robert, an advertising executive who has since rebuilt his business, tries to do the same with his relationship with his daughter. Against his therapist’s advice, overeager Robert tries really hard to get close to Tennie by showing his own way of caring. He tries to find out about his daughter’s personal life with the help of his newly appointed, 19 year-old driver/intern, Jack. Practically being raised by her extended family, Tennie although very academically inclined and mature for her age, with compassion for others, she’s got a touch of sarcasm, and a hint of rebelliousness. After she catches on to her father’s plan, Tennie realizes that in order to get her father off of her back, she needs to convince him to find a lady friend.
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Greg Vincent is a struggling, alcoholic writer who has suffered a terrible loss in his life and is looking for inspiration for his next story. During this difficult time, he encounters a strange being from out of this world. Could this possible be the basis for the perfect story which could jump start not only his career but also his life?
Ted Morgan has been treading water for most of his life. After his wife leaves him, Ted realizes he has nothing left to live for. Summoning the courage for one last act, Ted decides to go home and face the people he feels are responsible for creating the shell of a person he has become. But life is tricky. The more determined Ted is to confront his demons, to get closure, and to withdraw from his family, the more Ted is yanked into the chaos of their lives. So, when Ted Morgan decides to kill himself, he finds a reason to live.
The third installment of the Chihayafuru trilogy.
The whole “zombie thing” has been hyped up so much that everyone thinks it’s the end of the world! Of course, where one man sees the dead rising from the grave, another sees opportunity. Q had a plan: drive the robbery getaway van, deliver everyone to the safe house and get paid – a nice, simple, plan. Unfortunately, life is never really that simple, and to top it all off, this is the first time Q has been a getaway driver. He’s coping pretty well though, considering; TONY (the guy who is ‘in charge’ of the job) is a murderous nut case, DANNY was shot and is now bleeding all over the money in the back of the van, the Sat-Nav has a mind of its own, there’s a guy in the back living up to his name “CRAZY STEVE”, the safe-house already has police at it, and this whole “zombie thing” seems to be quickly becoming more of a “zombie apocalypse thing”…
The story of five friends struggling to succeed in Chicago’s entertainment industry while one of them pursues an international romance with a wealthy young heiress.
Rick Launer, the Ambassador of the Republic of Texas club, spends his days at Alamo reenactments and haranguing US mailmen to get off Texas soil. But when he takes things too far, he’s jailed and kicked out of his beloved club. Out on bail and a warrant on his head, he manipulates a group of paranoid eccentrics to protect him from the hand of the “oppressive government.” Rick must confront what it takes to be a true leader, as a modern day Alamo unfolds on national television.
When best friends and total opposites Debbie and Peter swap homes for a week, they get a peek into each other’s lives that could open the door to love.
A pre-wedding party descends into an existential nightmare when an estranged friend shows up with a mysterious suitcase.
An imaginative youngster (Kiernan Shipka) comes across an amnesiac prince (Simon Kassianides), who she believes is a fairy-tale figure. Convinced the man would be perfect for her widowed mom (Kellie Martin), she launches a plan to set the two up, starting by tricking her mom into hiring him as the new nanny. Directed by Ron Oliver.
The day she turns 40, Marguerite Flora, a successful rep for a nuclear power company, begins receiving letters she’d sent to herself at age seven. The letters tell her what to do if her life hasn’t turned out the way she thought it should, when she was living in poverty with her mother and brother in a small village in southern France. She decides to go back to her birthplace to get the lawyer to stop the letters, but also to visit her childhood sweetheart and her long-forgotten brother, in order to find peace within herself.
In Bucharest on a winter’s morning, a couple make love. Adina wants to move in with her boyfriend Radu as soon as possible. He, on the other hand, is slightly more reluctant but appears to simply tolerate her plans. Today is New Year’s Eve and Radu and Adina have a lot to do: the two have planned a visit to Adina’s parents followed by a party with friends. While buying last-minute gifts at the supermarket, Radu thinks he spots ex-girlfriend Nadja, who he has never forgotten. In one small moment, Radu’s insecurities about Adina come bubbling to the surface. No sooner have the corks begin to pop, the relationship comes to an abrupt end. This is followed by the perfectly timed offer from Radu’s friend Alex to hit the town with him and his friends. Radu accepts the offer in the hope that Nadja is also out. Director Paul Negogescu draws a portrait of Radu with precision and subtle irony – and captures the atmosphere of a New Year’s evening with great authenticity.
