When 13-year-old Tommy loses his parents to a drug raid, he turns to a phone sex operator (his fairy godmother) for help as he embarks on an urban odyssey to escape foster care with his two best friends.
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Get in the holiday spirit with this cozy, crackling fire.
Director Frederick Ermler’s last silent feature and the last of four collaborations with actor Fiodor Nikitin. Nikitin plays an officer who spends a decade after the Great War as a shell-shocked amnesiac, until a glimpse of a woman through a train window sparks the return of his memory. He makes his way back to St. Petersburg, now Leningrad, a man out of time who struggles to make sense of the new society brought about by the revolution.
The film follows a group of friends and their highs and lows in pursuit of romantic redemption. It takes place over three years and is divided into eight parties : New Year’s Eve, one housewarming, Midsummer, a wedding, a surprise party, a name of celebration, anniversary and birthday parties. The friends are all late thirties or early forties. They fought all with their own idea of what the perfect love really is, and must re-evaluate their perception in the course of history.
Taking his inspiration from the biggest scandal in Japan’s police history, Kazuya Shiraishi has created a massive and sinister crime epic about the grand forces of corruption that brings to mind the best of Kinji Fukasaku’s yakuza movies (Cops vs. Thugs among others). Starting in 1970s Hokkaido like a nervous Japanese Starsky & Hutch–chan, the film charts the moral descent of Detective Moroboshi (Go Ayano) over three decades. Green in years but already hard‐grained and ready to play rough, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai (Pierre Taki) teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza. Burning with the same blaze as the hard‐boiled classics of yore, Twisted Justice scorches away the sleekness and macho self‐congratulation of the genre.
New York gangster Ben ‘Bugsy’ Siegel takes a brief business trip to Los Angeles. A sharp-dressing womanizer with a foul temper, Siegel doesn’t hesitate to kill or maim anyone crossing him. In L.A. the life, the movies, and most of all strong-willed Virginia Hill detain him while his family wait back home. Then a trip to a run-down gambling joint at a spot in the desert known as Las Vegas gives him his big idea.
The sudden disappearance of a wealthy banker’s wife cracks open a dizzying world of secret fetishes, desperate acts and elaborate deceptions.
When a bubbly American hip hop dancer goes to India with her family for a wedding, she is impressed by a new dance style and falls in love with the man who introduced her to it.
Two lads in Edinburgh embark on a non-violent spree of robberies. They dress up in clown masks and act as modern highwaymen, robbing coach loads of tourists in the highlands. In the process they become folk heroes to the locals. Their adventures make for a whimsical and gentle comedy, in the Bill Forsyth vein.
A classical musician from a working class background is sidetracked by his love for a wealthy, neurotic socialite.
A bride-to-be ends up on a rafting trip and meets a surprising guest: the sperm donor she’s planning to use. Back in Berlin, her fiancée is visited by an ex.
Spoof of 1960’s Beach Party/Gidget surfing movies mixed with slasher horror films. A not-so-innocent girl in 1960’s Malibu becomes the first girl surfer at Malibu Beach, only she suffers from dissociative identity disorder and occasionally her alter ego, a sexually aggressive, foul-speaking girl, comes out. During her “episodes” several beach goers are found murdered.