Wendy Raquel Robinson
A bold, provocative upstairs/downstairs drama set at the last family-owned hotel in multicultural Miami Beach. Wealthy and beautiful guests bask in luxury, but scandals, escalating debt and explosive secrets hide beneath the picture-perfect exterior.
Vivica A. Fox sizzles as a woman scorned who plans to get her man back by any means necessary. In this comedy about players and those who “get played.” As corporate overachiever and all-around fly chick Shanté Smith, Fox thinks she’s got the goods to keep her slickster boyfriend (Morris Chestnut) from straying – until he discovers a greener pasture, Shanté’s archrival (Gabrielle Union)
Nightclub manager Darnell Wright is a perpetual playboy who is almost as devoted to his job as he is to the pursuit of beautiful women. After he sets his sights on the ultra-classy Brandi Web, he launches an all-out assault to win her heart. Ultimately, charm, lust and passion prevail, but Darnell learns the hard way that when you play, you pay. Brandi is much harder to get rid of than she was to get–especially when she realizes that she has a rival vying for Darnell’s affection. When he finally decides to call it quits, Brandi becomes an obsessed femme fatale stalking the new love of her life.
Centers around the lives of Victoria, Zenobia, Clevon, and Phil — all friends approaching the age of 35 and struggling to build the families they’ve always dreamed of. While Zenobia (Nicole Ari Parker) is still looking for a man, Victoria (Tamala Jones) is married to a man who doesn’t want children. Clevon (Kevin Hart), meanwhile, is too geeky to get a woman, and Phil (Keith Robinson) is already married with children, but his wife is not very interested in being a mother. All four of them try to rectify their romantic lives and futures while their biological clocks tick away.
The day a hit and run driver took the life of her little boy, Marilyn (Wendy Raquel Robinson) died inside. Not even the passing of time, the love of a good man or a job as choir director at her church could bring her peace. But a chance encounter with a mysterious homeless man, who calls himself Mozart (Gary Dourdan), will change Marilyn’s world and let her see that there are no accidents, and true healing starts with forgiveness.