Evan McCauley has skills he never learned and memories of places he has never visited. Self-medicated and on the brink of a mental breakdown, a secret group that call themselves “Infinites” come to his rescue, revealing that his memories are real.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
I Am Soldier follows Mickey Tomlinson (Tom Hughes), a military chef, who attempts the most dangerous military selection known to man: The Special Air Service (S.A.S.) selection. The S.A.S. Is the United Kingdom’s most renowned Special Forces Regiment, tasked with life threatening missions in some of the most dangerous places on the planet. Mickey has more military experience than simply being a chef, something he doesn’t let on to the other candidates… Mickey is smashed by this selection process – his mind, body and soul scream for mercy as he endures torturous speed-marches over the steepest mountains, running for his life during ‘Escape and Evasion’ and then facing the most evil interrogation possible, during the deadly phase known as: ‘Tactical Questioning.’ Even after everything, there is still only one way you can really prove yourself: in combat… Many try to get into the S.A.S. Only the elite make it.
Shrewdly structured psychological British drama starring Tom Hughes and Ruta Gedmintas as a well-to-do young couple whose comfortable life is disrupted when a troubled teenage girl (Tasha Connor) becomes part of their ordered life. It is a tense and cleverly off-kilter drama, well performed and astutely thought-provoking. It makes great use of its Yorkshire locations, creating a tense and memorably intriguing atmosphere.
Marc, a successful, ambitious man, is diagnosed with terminal cancer, and is given a few months to live. Unable to accept death, he decides to cryogenically freeze himself. The love of his life is devastated. Seventy years later, Marc becomes the first cryogenic resuscitated person in history. But this doesn’t happen in the idealized way he dreamt of.
Adding a little spice to a waning marriage, Anne and Bob, a wealthy and well-connected American couple, move into a manor house in romantic Paris. While preparing a particularly luxurious dinner for sophisticated international friends, our hostess discovers there are 13 guests. Panic-stricken, Anne insists her loyal maid Maria disguise herself as a mysterious Spanish noble woman to even out the numbers. But a little too much wine and some playful chat lead Maria to accidentally endear herself to a dandy British art broker. Their budding romance will have Anne chasing her maid around Paris and finally plotting to destroy this most unexpected and joyous love affair.
The story of Queen Victoria, who came to the throne at a time of great economic turbulence and resurgent republicanism – and died 64 years later the head of the largest empire the world had ever seen, having revitalised the throne’s public image and become “grandmother of Europe”.