ZOMBEX tells the story of a post-Katrina New Orleans as it deals with a new disaster, a zombie apocalypse. NOLA residents are no longer experiencing the depression and post-traumatic stress due to the trauma of the hurricane, thanks to the revolutionary ZOMBEX – a rogue, yet, “clinically-proven” anti-depressant pharmaceutical manufactured by a nefarious organization. For those who call the Big Easy their home, everything is just now turning around for them. Or, could it just be the drug, ZOMBEX, talking… Just as things are turning around for the city and its people, they once again must face a disaster of epic proportions. Only this time, they’re dealing with the prospect of losing the people of New Orleans as they turn into the city’s walking dead.
The film discusses the traits and originators of some of metal’s many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.
At 14, best friends Robb Reiner and Lips made a pact to rock together forever. Their band, Anvil, hailed as the “demi-gods of Canadian metal, ” influenced a musical generation that includes Metallica, Slayer, and Anthrax,. Following a calamitous European tour, Lips and Robb, now in their fifties, set off to record their 13th album in one last attempt to fulfill their boyhood dreams
In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West’s most maligned musical genre – heavy metal – has impacted the world’s cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world’s emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren’t just absorbing metal from the West – they’re transforming it – creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.