When Joy Pride, a groovy 70s burn-out on the caboose of the flower power movement learns she has weeks to live, her estranged children come together to do right by a mother who always did them wrong. It’s based on the premise that no matter who dies, we always find a way to make it all about us.
When David is left by his fiancé just days before the wedding, Flula, his relentlessly upbeat best man, insists that the pair go on David’s previously planned honeymoon: a seven-day backpacking trip through the breathtaking mountains of Oregon. Their adventures are bookended with passages from William Clark’s diary describing his friendship with Meriwether Lewis and the terrain they crossed during their expedition.
An idealist young dancer named Zoe (Romina D’Ugo) tackles the difficult issue of resurrecting disco dancing in today’s music business. She meets hostility beyond resistance on every dance floor where she spins and twirls. Fortunately, she has at least one ally, a nightclub owner and visionary named Michael (David Guintoli) who shares her zeal for the long-ago dance craze. With money to burn, Michael arranges for Zoe to test market bringing back disco, even with rival choreographers like Malika (Brooklyn Sudano). Soon dance takes a two-step in the wrong direction when hard-hearted Malika and Michael start vying to become Zoe’s dance partner.
After Portland homicide detective Nick Burkhardt discovers he’s descended from an elite line of criminal profilers known as “Grimms,” he increasingly finds his responsibilities as a detective at odds with his new responsibilities as a Grimm.