Lindy is an acid-tongued woman with rage issues who controls her temper by shocking herself with an electrode vest. One day she makes a connection with Justin, who gives her a glimmer of hope for a shock-free future, but when he’s murdered she launches herself on a revenge-fueled rampage in pursuit of his killer.
When a father passes on the traditional family sword to one of his two adopted sons, the other–in a fit of jealous rage–joins a yakuza drug smuggling mob. When the other son decides to find him and set things straight, things don’t seem to go as smoothly as he planned, and a misunderstanding leads the stepbrothers into a Turkish arena to battle swordsmen from around the world.
Having lived through traumatizing events during WWII, Father Lankester Merrin takes a sabbatical from the Church to conduct archaeological excavations in British-administered East Africa. Merrin unearths an ancient Byzantine church believed have been built and then immediately buried to keep down evil from the crypt below. The natives are convinced that uncovering the church has unleashed a demon, and begin to violently clash with the British military troops. As the village rapidly disintegrates into chaos and war, Merrin must face-off with the demon which has taken possession of somebody close to him.
This special one-off drama travels back in time to 1963 to see how Doctor Who was first brought to the screen. Actor William Hartnell felt trapped by a succession of hard-man roles. Wannabe producer Verity Lambert was frustrated by the TV industry’s glass ceiling. Both of them were to find unlikely hope and unexpected challenges in the form of a Saturday tea-time drama. Allied with a team of unusual but brilliant people, they went on to create the longest running science fiction series ever made.
At a Catholic public school, Benjamin Stanfield is tired of being the teacher’s pet and decides to play a practical joke on his form master Father Goddard. In confession, Stanfield tells Goddard that he has accidentally murdered his friend Blakey and buried him in the forest. When Goddard investigates the matter, he finds a buried scarecrow. Goddard is outraged, but, due to the seal of confession, he knows he cannot expel Stanfield. Shortly after, Stanfield once again enters the confession booth, telling Goddard that what before was a practical joke, he has now made happen. In disbelief, Goddard once again goes to the forest to investigate the matter. This time, he discovers Blakey’s dead body. The plot soon thickens as Stanfield’s fellow student Arthur Dyson mysteriously disappears…
Jackson is back, and now he has a new partner, karate champion Sean, as they must face a deadly terrorist known as “The Cobra”, who has infected Sean with a virus. Sean and Jackson have no choice but to fight the Cobra and his bands of ninjas.
In 1879, the British suffer a great loss at the Battle of Isandlwana due to incompetent leadership. Cy Endfield co-wrote the epic prequel Zulu Dawn 15 years after his enormously popular Zulu. Set in 1879, this film depicts the catastrophic Battle of Isandhlwana, which remains the worst defeat of the British army by natives, with the British contingent outnumbered 16-to-1 by the Zulu tribesmen. The film’s opinion of events is made immediately clear in its title sequence: ebullient African village life presided over by King Cetshwayo is contrasted with aristocratic artifice under the arrogant eye of General Lord Chelmsford (Peter O’Toole). Chelmsford is at the heart of all that goes wrong, initiating the catastrophic battle with an ultimatum made seemingly for the sake of giving his troops something to do. His detached manner leads to one mistake after another.
At the start of World War I, Paul Baumer is a young German patriot, eager to fight. Indoctrinated with propaganda at school, he and his friends eagerly sign up for the army soon after graduation. But when the horrors of war soon become too much to bear, and as his friends die or become gravely wounded, Paul questions the sanity of fighting over a few hundreds yards of war-torn countryside.
1920, rural Ireland. Anglo-Irish twins Rachel and Edward share a strange existence in their crumbling family estate. Each night, the property becomes the domain of a sinister presence (The Lodgers) which enforces three rules upon the twins: they must be in bed by midnight; they may not permit an outsider past the threshold; and if one attempts to escape, the life of the other is placed in jeopardy. When troubled war veteran Sean returns to the nearby village, he is immediately drawn to the mysterious Rachel, who in turn begins to break the rules set out by The Lodgers. The consequences pull Rachel into a deadly confrontation with her brother – and with the curse that haunts them.
Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.
A dysfunctional family awake on Christmas morning to discover they’re sealed inside their house by a mysterious black substance. On television, a single line of text reads: “Stay Indoors and Await Further Instructions.”
An ex-Marine finds out a old buddy is leading a private army of mercenaries. When an ex-Marine refuses to join an old friendship’s personal army of mercenaries a deadly violent battle erupts between the two men! And this is not good.
A high concept thriller that tells the story of Dr. Ephraim Goodweather, the head of the Center for Disease Control Canary Team in New York City. He and his team are called upon to investigate a mysterious viral outbreak with hallmarks of an ancient and evil strain of vampirism. As the strain spreads, Eph, his team, and an assembly of everyday New Yorkers, wage war for the fate of humanity itself.