A father in a Texas border town starts trafficking drugs to pay for his son’s cancer treatment.
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Science fiction has become a reality in our modern criminal justice system. A term originally coined by science fiction author Philip K. Dick, “pre-crime” is a policing technique now used in both the US and Europe to identify “hot people”—those most likely to be victims or perpetrators of a crime. Forecasting software and algorithms that have been criticized as inaccurate and arbitrary are used to collect information, and monitor and flag people. But predictive tools are only as good as the data they’re fed. With scant evidence of the reliability of the data sources or the accuracy of the data crunching, misfires are a guarantee. In this chilling and explosive in-depth examination into the modern age of policing, directors Monika Hielscher and Matthias Heider pose an important question: How much freedom and human awareness are we willing to give to the limited logic of technology?
The 24th tells the incredibly powerful and timely true story of the all-black Twenty-Fourth United States Infantry Regiment, and the Houston Riot of 1917. The Houston Riot was a mutiny by 156 African American soldiers in response to the brutal violence and abuse at the hands of Houston police officers. The riot, which lasted two hours, led to the death of nine civilians, four policemen and two soldiers and resulted in the largest murder trial in history, which sentenced a total of nineteen men to execution, and forty-one men to life sentences.
When Natalie’s boyfriend is murdered, she builds a machine to change the past by changing her own memories. An FBI agent, her sister and her therapist all try to stop her before she hurts herself, but there’s no use. She’ll do anything to get him back.
After a stroke leaves her husband disabled and fundamentally changed, a spirited Irish wife struggles to keep her family members together. All the while they are under the microscope of an American researcher documenting their recovery process.
A family believes they are aliens from other planets and tries to save Earth from impending calamity.
A curmudgeonly instructor at a New England prep school is forced to remain on campus during Christmas break to babysit the handful of students with nowhere to go. Eventually, he forms an unlikely bond with one of them — a damaged, brainy troublemaker — and with the school’s head cook, who has just lost a son in Vietnam.
A police detective falls in love with the woman whose murder he’s investigating.
In this third installment of the ‘Pusher’ trilogy, we follow Milo (‘Zlatko Buric’), the drug lord from the two first films. He is aging, he is planning his daughter’s 25th birthday and his shipment of heroin turns out to be 10.000 pills of ecstasy. When Milo tries to sell the pills anyway, all Hell breaks loose and his only chance is to ask for help from his ex-henchman and old friend Radovan
Nick is the director of a low-budget indie film. He tries to keep everything together as his production is plagued with an insecure actress, a megalomaniac star, a pretentious, beret-wearing director of photography and lousy catering. Divided in three acts, each representing a different scene to shoot, this film is an essential for amateur filmmakers.