Jamie (Taylor Olson) works a wood processor, clear-cutting for pulp in small-town Nova Scotia. At the end of each shift, he walks through the destruction he has created looking for injured animals and rescues those he can. Adapted from a play by Nova Scotian author Catherine Banks, Bone Cage is an impressive first feature from Halifax actor/filmmaker Taylor Olson that sensitively excavates the tragedy of how young people in rural communities, employed in the destruction of their environment, treat the people they love at the end of their shift.
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Drama documentary based on Bill O’Reilly’s and Martin Dugard’s 2012 non-fiction book “Killing Kennedy: The End of Camelot”. It follows the parallel lives of John F. Kennedy and Lee Harvey Oswald from the winter 1959-1960 to those fatal days in Dallas in November 1963, when they both died within two days after each other and were buried on the same day – John F. Kennedy in a state funeral in Washington D.C., broadcast live both to Europe and the Pacific, while Oswald was buried in Forth Worth at a small funeral where the attending reporters were asked to act as pallbearers.
Marty Lakewood is a reporter forced to leave Chicago and his family because he had uncovered too much police corruption. He returns to his small home town on the California coast to his ailing mother and prostitute sister, with whom he had an incestuous affair. Being short of money, he seduces a woman cop in order to sell her house.
Heading on a transatlantic voyage at sea from an Italian lab to America, D’Agostino is the story of a human clone left for dead at the shores of Santorini Greece. This lost cargo, commissioned by wealthy individuals for organ tranplants, is abandoned as the freight cannot be recovered. Allan Dawson has recently inherited his grandmother’s island estate. He’s in a loveless relationship with his common law spouse Sylvia. As he finds this interesting freight, what follows is a macabre tale of self realization as Allan proceeds to set himself out of his sedentary existence to mold his latest discovery into a new best friend with dire consequences.
Akira Kurosawa’s lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.
A girl from Ambala, Kavya Pratap Singh, is about to be married. When she visits Delhi to shop for her ‘dhai lakh ka Ghagra'(wedding dress worth Rs. 2 Lakh), she meets Humpty Sharma, a carefree Delhiite, and falls in love with him.
The mutilated body of a six year old girl is found in a water hole. The girl is identified as the missing daughter of Claudia. However, only two peices of evidence could be used to identify her; a bracelet with her name on it near the crime scene, and the fact that her right leg was three inches longer than her left. All other methods of identification were removed from her body. Five years later Claudia, now addicted to tranquilizers, receives a phone call from someone claiming to be her daughter, asking for her mother to come find her before ‘they’ kill her. Other mysterious clues show up, further indicating that Claudia’s daughter is indeed still alive, and very much in danger. Claudia, a run-down ex-cop, and a parapsychology reporter put together the clues to discover Angela’s whereabouts
To get royal backing on a needed drainage project, a poor French lord must learn to play the delicate games of wit at court at Versailles.
In a quiet suburban town in the summer of 1958, two recently orphaned sisters are placed in the care of their mentally unstable Aunt Ruth. But Ruth’s depraved sense of discipline will soon lead to unspeakable acts of abuse and torture that involve her young sons, the neighborhood children, and one 12-year-old boy whose life will be changed forever.
A forlorn teenager abandoned in New York City spirals out of control, from a troubled kid to an accidental addict, after he mistakes the welcoming embrace of a Lower East Side drug dealer for the love of family. Offering a humorous take on the absurdity of the junky lifestyle, STRAIGHT OUTTA TOMPKINS also presents a fearlessly honest portrayal of the violence and danger that come with teen drug use.
The theme of the film is tribute to the single screen cinema halls that are rapidly becoming rare in India. Pranabendu Das is a retired film exhibitor from a small-town in West Bengal. He owns a movie theatre ‘Kamalini’ named after his separated wife. With the advancement of technology and the arrival of the digital medium, this man was compelled to let go of his theatre which projected films only on celluloid. Prakash is unperturbed by his father, Pranab’s condition. He is an opportunist, who would never give morality a chance while making himself an established businessman. He sells pirated DVDs of feature films in the town. This is a father-son relationship tale weaved through the beautiful backdrop of cinema. Pranab has always maintained himself as a true Cinemawala, whereas, Prakash is also spreading films among the people, but in a way not so acceptable to his father.
Clinging to an unfinished letter written by her recently deceased father, young Momo moves with her mother from bustling Tokyo to the remote Japanese island of Shio. Upon their arrival, she begins to explore her new habitat, meeting local children and learning their routines and customs. However, it’s not long before several bizarre occurrences crop up around the previously tranquil island. Orchards are found ransacked, prized trinkets start disappearing and, worst of all, each morning after her mother leaves for work, Momo hears strange mumblings coming from the attic of their home. Annoyed by these creepy goings-on and her mother’s refusal to believe them, Momo embarks on a strange and supernatural adventure to discover the source of the mischief, which leads her to a trio of troublesome imps: the flatulent lizard Kawa, the childlike Mame and their hulking ogre leader Iwa. Momo also learns that her visit to the island is in some way connected to her father’s mysterious letter.
