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Before Bad Brains, the Sex Pistols or even the Ramones, there was Death. Formed in the early ’70s by three teenage brothers from Detroit, Death is credited as being the first black punk band, and the Hackney brothers, David, Bobby, and Dannis, are now considered pioneers in their field. But it wasn’t until recently — when a dusty 1974 demo tape made its way out of Bobby’s attic nearly 30 years after Death’s heyday — that anyone outside a small group of punk enthusiasts had even heard of them.
Here comes DEATH’s probing and pulsing rock doc, DEATH BY METAL, pulling back the palm fronds of DEATH’s origins in Altamonte Springs, Florida, and latching a narrative hook into the headstrong Chuck Schuldiner juggernaut for fifteen gratifying if sometimes frustrating years. As the baby steps become giant leaps, the stable of supporting players grows and continually shines in its own devious light.
A Colorado family is thrust into the international media spotlight when they fight for the rights of their 6-year-old transgender daughter in a landmark civil rights case.
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Viktor Bout was a war profiteer, an entrepreneur, an aviation tycoon, an arms dealer, and—strangest of all—a documentary filmmaker. The Notorious Mr. Bout is the ultimate rags-to-riches-to-prison memoir, documented by the last man you’d expect to be holding the camera.
Directed by two-time Grammy nominee D. Smith, KOKOMO CITY takes up a seemingly simple mantle — to present the stories of four Black transgender sex workers in New York and Georgia. Shot in striking black and white, the boldness of the facts of these women’s lives and the earthquaking frankness they share complicate this enterprise, colliding the everyday with cutting social commentary and the excavation of long-dormant truths. Accessible for any audience, unfiltered, unabashed, and unapologetic, Smith and her subjects smash the trendy standard for authenticity, offering a refreshing rawness and vulnerability unconcerned with purity and politeness.
At a pivotal moment for gender equality in Hollywood, successful women directors tell the stories of their art, lives and careers. Having endured a long history of systemic discrimination, women filmmakers may be getting the first glimpse of a future that values their voices equally.
Drawn from a never before seen cache of personal footage spanning decades, this is an intimate portrait of the Sri Lankan artist and musician who continues to shatter conventions.
2016: Obama’s America takes audiences on a gripping visual journey into the heart of the worlds most powerful office to reveal the struggle of whether one man’s past will redefine America over the next four years. The film examines the question, “If Obama wins a second term, where will we be in 2016?” Across the globe and in America, people in 2008 hungered for a leader who would unite and lift us from economic turmoil and war. True to Americas ideals, they invested their hope in a new kind of president, Barack Obama. What they didn’t know is that Obama is a man with a past, and in powerful ways that past defines him–who he is, how he thinks, and where he intends to take America and the world. Immersed in exotic locales across four continents, best selling author Dinesh DSouza races against time to find answers to Obama’s past and reveal where America will be in 2016.