Because he has not heard anything for a while from his older brother Ikenna, musician Amadi travels from Nigeria to the metropolis of São Paulo. But Ikenna remains missing.
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The fictional Father Ángel de la Cruz is based on Legion of Christ
founder Marcial Maciel, whose long history of child abuse was not
addressed until 2006 and only publicly acknowledged in 2009.
But director Luis Urquiza chooses to structure his film through the
largely uncomprehending, wondering eyes of 13-year-old Julián, who
travels from the arms of his loving pastoral family into the austere,
hallowed halls of the seminary. Singling out the boy as his intimate
disciple, installing him in his palatial private quarters and redubbing
him “Sacramento Santos,” Father Ángel begins Julian’s instruction
into the mysteries of “perfect obedience,” whose cardinal rule is:
Never question a superior’s actions.
Laura (Florencia Colucci) and her father Wilson (Gustavo Alonso) arrive at a cottage off the beaten path in order to repair it since its owner (Abel Tripaldi) will soon put the house on sale. They will spend the night there in order to start the repairs the following morning. Everything seems to go on smoothly until Laura hears a sound that comes from outside and gets louder and louder in the upper floor of the house. Wilson goes up to see what is going on while she remains downstairs on her own waiting for her father to come down. The plot is based on a true story that occurred in the 1940s in a small village in Uruguay. La casa muda focuses on the last seventy eight minutes, second by second, as Laura tries to leave the house unharmed and discovers the dark secret it hides.
Two academic teenage superstars realize, on the eve of their high school graduation, that they should have worked less and played more. Determined to never fall short of their peers, the girls set out on a mission to cram four years of fun into one night.
Two former lovers find themselves struggling for shared closure as one of them prepares to stage a play about the unspeakable tragedy that tore them apart decades ago.
In cold wintry Yanji, a city on China’s northern border, young urbanite Haofeng, visiting from Shanghai, feels lost and adrift. By chance, he goes on a tour led by Nana, a charming tour guide who instantly fascinates him. She introduces him to Xiao, a personable but frustrated restaurant worker. The three bond quickly over a drunken weekend. Confronting their individual traumas, their frozen desires slowly thaw as they seek to liberate themselves from an icy world.
Three brothers living in rural Scotland struggle for intimacy and stability as they attempt to navigate their survival amongst a corrupt local police officer and the mysterious appearance of a girl’s body on their land.
An ironic black comedy of love and death that takes place an a lyrically beautiful landscape. Three related women, all named Cissie Colpitts share a solidarity for one another which brings about three copy-cat drownings. The local coroner is in love with all three women and helps to disguise the murders.
The Rapture has come and gone, in its wake is a famished wasteland filled with desperate looters, marauders and scavengers. In this third installment of The Revelation Road Saga, Josh McManus finds himself in a dangerous border-town at the edge of the wild-lands. The beleaguered Mayor sends Josh on a vital mission to find the mysterious and elusive “Shepherd”. Is the Shepherd a prophet or a pariah? A true man of God or a cult leader? With the aid of a beautiful survivor, Josh will discover the truth in an action-packed adventure that puts his skills and his faith to the test.
The Black Prince follows the story of the last Sikh Maharaja — the son of the powerful ruler Ranjit Singh — who was placed on the throne at the age of five, after the death of his father. In 1849, the young prince was removed from the throne and eventually sent off to England. His attempts to return to India and reclaim his kingdom were subsequently thwarted by the British.
Turkish writer-director Yesim Ustaoglu offers a parallel study of two women — a psychiatrist with a long-time live-in partner and a wife in a conservative, nearly tyrannical household — in this study of the possibilities and limitations that exist for women in Turkey today.
