Painter

Soo-myung and Seung-min, both 25 years old, meet for the first time at Soori Hope Hospital, a run-down psychiatric facility located on a mountain. Soo-myung has been institutionalized since he was nineteen after the trauma caused by his mother’s suicide, and has a phobia of scissors. Seung-min is sane and a champion paraglider, but was forcibly committed by his greedy half-brother to get Seung-min’s share of the family inheritance. Soo-myung is a model patient, peacefully and passively spending his days in the hospital despite its abusive nurses, unlike Seung-min, who is a walking time bomb. Soon, Soo-myung gets roped into Seung-min’s reckless plan to break out of the hospital.

A young family moves into a historic home in Georgia, only to learn they are not the house’s only inhabitants. Soon they find themselves in the presence of a secret rising from underground and threatening to bring down anyone in its path.

Cool black private eye John Shaft is hired by a crime lord to find and retrieve his kidnapped daughter.

Prem Prakash Tiwari (Ayushmann Khurrana) listening to Kumar Sanu is the film’s opening shot. Set in Haridwar, 1990s, the film captures the nascent feel of the town. Prem owns a cassette shop in the local market. His father is keen to get him hitched and the family goes to a local temple to meet Sandhya (Bhumi Pednekar). B.Ed, waiting for a teaching job, the most visible thing about her is her weight. Coming from a patriarchal cognitive set-up, she doesn’t fit the quintessential idea of beautiful. And still, the school drop out Prem must marry her because he is incapable of attaining a girl with ‘Juhi-Chawla-level-of-looks.’ In an elaborate community-wedding ceremony, Prem and Sandhya get married. Their wedding night is uncomfortable with neither treading towards establishing conjugal relations. Prem has in his own reasons and the girl is naturally shy. Next morning on a call, she announces it to a friend and the whole family finds out

Angie, the wife of a charismatic pastor who extols family values yet maintains an icy demeanor toward his own, seeks solace from her marital woes in the arms of her recently hired pool boy, a fling which quickly upsets the idyllic facade of the community, reigniting old jealousies, and leaving no one’s secrets safe.

A young man with a vendetta against a business tycoon seduces and kills his eldest daughter and then proceeds to his younger daughter but she begins to suspect her new lover’s ulterior motive.

As a string of brutal murders plague the city, two undercover detectives (Brent Harvey and Mia Li) race to solve the mystery and unmask the killer. Their only clues: each victim is a former cop and each has a blood-red letter painted on their body. How many will have to die before the killer spells out their message in blood?

A powerful and emotional coming of age story, this remarkable tale is told with honesty and originality that will leave audiences moved. In the film, two outsiders, both shaped by the circumstances that have brought them together, forge a deep and lasting love. Directed by Gus Van Sant, one of the most astute observers of people living life on the edge, comes a take on friendship and young love as engaging and true as it is provocative and stirring.

After vanishing from her family’s lake house, 15 year-old Mary Solis returns without any memory of the traumatic events she experienced—and without part of her soul. Even while a shocking mystery surrounds her disappearance, and her disembodied soul begins a grim haunting, the Solis family’s biggest fear has yet to be faced.   When it’s discovered that two little girls, the same age as Mary’s sister, Sophia, went missing on the lake the very night that Mary disappeared, the stakes are raised. Is Mary suffering from a centuries old condition known as Loss of Soul? Or, is it something more nefarious?   After enlisting the help of a Shaman, the Solis family embarks on a journey to the spirit worlds, hunting for a supernatural cure.

To the outside world Joanne is just a book-store owner, but the Conspiracy knows different. She’s dangerous. She’s a bellwether: a quiet leader who is well on her way to being her whole self. When they kidnap her to break her to make her conform, they discover that Joanne is something so much more than even she ever knew. Joanne is a feminist, one-room, one-character elevated genre thriller. It is a modern rite of passage story which most women have to go through to become a whole human being: How does one be oneself in the face of massive misogyny and hatred (both overt and institutionalized). It is also the world’s first one-person film (a movie with only one on-screen character) that features a woman.

Prequel to the Henry James classic “Turn of the Screw” about the events leading up to the deaths of Peter Quint and Ms. Jessel, and the the slow corruption of the children in their care.

STEPPING OUT Sima, while stunningly beautiful, has failed to fulfill her dreams as a professional dancer. She is on the wrong side of thirty, being aged out, and is forced to take a job as a teacher at a conservative local high school. Much to her surprise, it sparks the choreographer in her — a talent she has been nurturing in private not only to battle her self-doubt and depression but to create a new and unique fusion of belly and ballroom styles.