This documentary puts a spotlight on the White House’s failed response to the global pandemic and how it could have been prevented. Featuring damning testimony from public health officials and hard investigative reporting, director Alex Gibney reveals a system-wide collapse caused by a profound dereliction of presidential leadership.
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A behind-the-scenes documentary about the Clinton for President campaign, focusing on the adventures of spin doctors James Carville and George Stephanopoulos.
Through outrageous, never-before-seen footage, witness the making of the Jackass crew’s last go at wild stunts.
James Castrission and Justin Jones, dare to not only tackle the perilous journey across Antarctica to the South Pole and return, but to do it completely unassisted – no sled dogs, no wind kites, just two men dragging their food, their shelter and themselves across 1140 kilometres of barren ice. And back again. As they battle frostbite, hypothermia, crevasses and starvation over three months of torture in the harshest place on Earth, Cas and Jonesy discover their limits, the nature of sportsmanship and the boundaries of the human spirit.
Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.
Goddess Snow and her close friends Ceara Lynch, Princess Rene, Astro Domina, Princess Meggerz and Sarah DiAvola have built a supportive underground punk scene of fetish content creators, empowering each other, their clients, fans and the rest of the adult population to engage in the fight for a shame-free, consensual, and safe exploration of one’s sexuality. Dancing between the worlds of online fetish content creation, and in-person domination sessions, Goddess Alexandra Snow has built a thriving empire which supports the empowerment of women, sex workers, and anyone who has ever felt like a misfit.
The story of Leon Vitali, who surrendered his promising acting career to become Stanley Kubrick’s devoted right-hand man.
A documentary which chronicles a ninety-year-old love story, through the collective voice of seventy ladies.
Paul Simon returns to South Africa to explore the incredible journey of his historic Graceland album, including the political backlash he received for allegedly breaking the UN cultural boycott of South Africa designed to end the Apartheid regime. On the 25th anniversary of Paul Simon’s GRACELAND, acclaimed documentary filmmaker Joe Berlinger offers a glimpse at the controversy surrounding the decision to record the album in South Africa despite a UN boycott of the nation, which was aimed at ending apartheid. In the run-up to an eagerly anticipated reunion concert, Simon, Quincy Jones, Peter Gabriel, David Byrne, Harry Belafonte, Paul McCartney and others reflect on the decision to record with local artists in South Africa, and the cultural impact of the album that delivered such hits as “I Know What I Know” and “You Can Call Me Al.”
Jamie Roberts’ documentary filmed over the course of two years, which takes an intimate look at the people spreading extremist fundamentalism in Britain. In 2014 Roberts filmed Islamic extremist Abu Rumaysah, who is now one of the world’s most wanted men and is suspected of being the British jihadi in the latest IS execution video. This film gains extraordinary access to a new wave of extremists, including Rumaysah, who are radicalising and grooming young British Muslims, and asks whether they really have non-violent aims, as they claim, or are a genuine threat to society.
Global warming etc, new signs of the Apocalypse?
Over four years of unprecedented access, the story of a brave group of black and Latino whistleblower cops and one unrelenting private investigator who, amidst a landmark lawsuit, risk everything to expose illegal quota practices and their impact on young minorities.
At the height of the Cold War, Gilligan’s Island depicted seven Americans living in an analogue of a post-apocalyptic world where the survivors have to rebuild civilization. Remarkably, the society they create is pure communist. Interviews with the show’s creator and some of the surviving actors, as well from professors from Harvard, reveal that Gilligan’s Island was deliberately designed to be dismissed as low brow comedy in order to celebrate Marxism and lampoon Western democratic constructs.
