A documentary on why and how ‘Money Heist’ sparked a wave of enthusiasm around the world for a lovable group of thieves and their professor.
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Award-winning filmmaker, Marina Willer (Cartas da Mãe), creates an impressionistic visual essay as she traces her father’s family journey as one of only twelve Jewish families to survive the Nazi occupation of Prague during World War II. Photographed by Academy Award® nominee César Charlone (City of God), the film travels from war-torn Eastern Europe to the color and light of South America and is told through the voice of Willer’s father Alfred (as narrated by Tim Pigott-Smith, Quantum of Solace), who witnessed bureaucratic nightmares, transportations and suicides but survived to build a post-war life as an architect in Brazil. As the world struggles with the current refugee crisis, RED TREES is a timely look at a family besieged by war who finds peace across an ocean.
This rockumentary-style presidential portrait shows how Jimmy Carter reinvigorated a post-Watergate America—with the music of the counterculture, including the Allman Brothers, Bob Dylan, Willie Nelson, and Jimmy Buffett.
Cookbook author and environmental activist Diana Kennedy reflects on an unconventional life spent mastering Mexican cuisine.
Welcome to the captivating world of urban exploration, an international subculture of fearless thrill-seekers who lurk beneath city streets and trespass into long-abandoned buildings, defiantly searching for unseen treasures of modern civilization. Documentary filmmaker Melody Gilbert follows Max Action, Slim Jim, Katwoman and Turobzutek as they infiltrate aging lunatic asylums, government sites, faded tourist attractions, sewers, drains, and even the forbidden Catacombs in Paris. Many explore armed with only a camera, often snapping astonishingly beautiful photos.
A feature-length documentary to show why Britain should vote to LEAVE the EU – and would thrive outside of it. Brexit: The Movie spells out the danger of staying part of the EU. Is it safe to give a remote government beyond our control the power to make laws? Is it safe to tie ourselves to countries which are close to financial ruin, drifting towards scary political extremism, and suffering long-term, self-inflicted economic decline?
In the heart of America’s opioid epidemic, four men try to reinvent their lives and mend their broken relationships after years of drug abuse.
Pug, a wisecracking 13 year old living on a dangerous Westside block, has one goal in mind: to join The Twelve O’Clock Boys; the notorious urban dirt-bike gang of Baltimore. Converging from all parts of the inner city, they invade the streets and clash with police, who are forbidden to chase the bikes for fear of endangering the public. When Pug’s older brother dies suddenly, he looks to the pack for mentorship, spurred by their dangerous lifestyle. Pug’s story is coupled with unprecedented, action-packed coverage of the riders in their element. The film presents the pivotal years of change in a boy’s life growing up in one of the most dangerous and economically depressed cities in the US.
On a remote coast of the Russian Arctic in a wind-battered hut, a lonely man waits to witness an ancient gathering. But warming seas and rising temperatures bring an unexpected change, and he soon finds himself overwhelmed.
An intimate reflection on life in the digital age and Seán McLoughlin’s journey through the highest highs – chanting crowds, sold out shows, and marriage proposals – and lowest lows – grappling with loneliness in the harsh Irish winter – and the life and wonder in between.
The on-track death of two-time Indianapolis 500 winner Dan Wheldon shook motorsports to its core. Ten years later, Wheldon’s sons Sebastian and Oliver follow in their father’s footsteps, working through their grief behind the wheel at 200 MPH.
A diverse group of disabled people from across the U.S. take on leading roles in a magical rip-roaring costume drama Western, filmed on vintage Hollywood locations. This riveting film within a film immerses us in a dynamic, inclusive world of discipline and play, raising questions about why we so rarely see real disabled actors on the big screen?
