A struggling actor on the outskirts of Hollywood takes a sketchy day job on Melrose Avenue, and uncovers the dark reality of living in Hollywood in the twenty-first century.
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Gary, who’s been diagnosed with social anxiety, lives a lonely lifestyle suffering mild panic attacks. In a brash attempt to make a friend, he meets Alexis, who has been diagnosed with ADD. Thru a series of events, together they attempt to find the one person who Gary has never had anxiety around, his high school girlfriend Kayla.
Harry (Brian Petsos) is having a very, very bad day. He returns home from an all-night drinking binge with his cousin Cecil (Oscar Issac), to discover that his little dog Jolly…Harry’s one true love and the source of light in his dark, solitary life-has been murdered. Brokenhearted and beyond consolation, he vows to track down the dog’s murderer at any cost. Armed with a stockpile of firepower in the trunk of his car, he and Cecil embark on a frenzied, alcohol-fueled wild-goose chase, leaving a bloody path of destruction in their wake.
A group of students investigates a series of mysterious bear killings, but learns that there are much more dangerous things going on. They start to follow a mysterious hunter, learning that he is actually a troll hunter.
The sinister Dr Watt has an evil scheme going. He’s kidnapping beautiful young women and turning them into mannequins to sell to local stores. Fortunately for Dr Watt, Detective-Sergeant Bung is on the case, and he doesn’t have a clue! In this send up of the Hammer Horror movies, there are send-ups of all the horror greats from Frankenstein to Dr Jekyl and Mr Hyde.
Brazil 1821. Upon his return to the imposing farmhouse, Antonio, a rich cattle herder, finds out that his wife dies in labor. Forced to live in the property with numerous African slaves, he marries his wife’s niece. A restless soul, he returns to droving, leaving his young wife behind alone with the slaves.
Clive likes Lauren. Lauren has no idea. Desmond is in love with Clive. Clive has no idea. Lauren and her boyfriend Tom love each other very much. Clive doesn’t like Tom, because Clive was the one who put in all the friend coins and wasn’t rewarded with sex and a relationship. So with Desmond’s help Clive decides to start killing all of their friends and blame it on Tom, and then something something something Lauren will realise she really loves Clive. And maybe if they hang out together Clive will fall in love with Desmond. It’s not the greatest of plans. And they’re not the greatest of murderers. But they’re going to give it a red hot go, because to do anything otherwise would make them cucks.
Science fiction has become a reality in our modern criminal justice system. A term originally coined by science fiction author Philip K. Dick, “pre-crime” is a policing technique now used in both the US and Europe to identify “hot people”—those most likely to be victims or perpetrators of a crime. Forecasting software and algorithms that have been criticized as inaccurate and arbitrary are used to collect information, and monitor and flag people. But predictive tools are only as good as the data they’re fed. With scant evidence of the reliability of the data sources or the accuracy of the data crunching, misfires are a guarantee. In this chilling and explosive in-depth examination into the modern age of policing, directors Monika Hielscher and Matthias Heider pose an important question: How much freedom and human awareness are we willing to give to the limited logic of technology?
Set in the south of the United States just after the Civil War, Laurel Sommersby is just managing to work the farm without her husband Jack, believed killed in the Civil War. By all accounts, Jack Sommersby was not a pleasant man, thus when he returns, Laurel has mixed emotions. It appears that Jack has changed a great deal, leading some people to believe that this is not actually Jack but an imposter. Laurel herself is unsure, but willing to take the man into her home, and perhaps later into her heart…
It is New Year’s weekend and the friends of Peter (Fry) gather at his newly inherited country house. Ten years ago, they all acted together in a Cambridge University student comedy troupe, but it’s less clear how much they have in common now.Peter’s friends are Andrew (Branagh), now a writer in Hollywood; married jingle writers Roger (Laurie) and Mary (Staunton); glamorous costume designer Sarah (Emmanuel); and eccentric Maggie (Thompson), who works in publishing. Cast in sharp relief to the university chums are Carol (Rudner), the American TV star wife of Andrew; and loutish Brian (Slattery), Sarah’s very recently acquired lover. Law plays Peter’s disapproving housekeeper, Vera; and Lowe, her son Paul. Briers appears in a cameo role as Peter’s father.
